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Magandang maganda ang kabayo "the horse is very pretty" In verbs, reduplication of the root, prefix or infix is employed to convey different grammatical aspects . In "Mag- verbs" reduplication of the root after the prefix "mag-" or "nag-" changes the verb from the infinitive form, or perfective aspect, respectively, to the contemplated or ...
Alejandro G. Abadilla (March 10, 1906 – August 26, 1969), commonly known as AGA, was a Filipino poet, essayist, and fiction writer.Critic Pedro Ricarte referred to Abadilla as the father of modern Philippine poetry, and was known for challenging established forms and literature's "excessive romanticism and emphasis on rhyme and meter". [1]
The Patriotic Oath (Tagalog: Panatang Makabayan) is one of two national pledges of the Philippines, the other being the Pledge of Allegiance to the Flag (Tagalog: Panunumpa ng Katapatan sa Watawat). It is commonly recited at flag ceremonies of schools—especially public schools—immediately after singing the Philippine national anthem but ...
The most popular Tagalog version of the Pasyón today is the Casaysayan nang Pasiong Mahal ni Hesucristong Panginoon Natin na Sucat Ipag-alab nang Puso nang Sinomang Babasa (modern orthography: “Kasaysayan ng Pasyóng Mahál ni Hesukristong Panginoón Natin na Sukat Ipág-alab ng Pusò ng Sínumang Babasa”, "The Story of the Passion of Jesus Christ, Our Lord, which Rightly Shall Ignite the ...
The slogan "Sa ikauunlad ng bayan, disiplina ang kailangan" (Filipino for "For the nation's progress, discipline is needed") [1] [2] was a political catchphrase created by the administration of Philippine President Ferdinand Marcos after his declaration of martial law, as a justification for his authoritarian rule and in an effort to promote the "new society". [3]
Rama at Sita – The Musical is a 1999 full-length OPM Filipino musical in the Tagalog language. It is an adaptation of the 1980 Filipino rock opera ballet by three National Artists Bienvenido Lumbera, Ryan Cayabyab, and Alice Reyes entitled, "Rama, Hari", based on the Indian epic Ramayana topbilled by Kuh Ledesma and Basil Valdez.
Ponciano Pineda is considered as the "Father of the Commission on Filipino Language" for his promotion to establish a commission based on Section 9 of our Philippine Constitution. [1] He became director of Commission on the Filipino Language (Filipino: Komisyon sa Wikang Filipino) formerly Surian ng Wikang Pambansa during the year 1971 to 1999.
A prolific writer, he spearheaded the second successful modernist movement in Filipino poetry together with Mangahas and Antonio. His earliest pieces of literary criticism were collected in Ang Makata sa Panahon ng Makina (1972), now considered the first book of literary criticism in Filipino. Later, in the years of martial law, he set aside ...