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"Dark Star" is a song released as a single by the Grateful Dead on Warner Bros. Records in 1968. It was written by lyricist Robert Hunter and composed by lead guitarist Jerry Garcia ; [ 2 ] however, compositional credit is sometimes extended to include Phil Lesh , Bill Kreutzmann , Mickey Hart , Ron "Pigpen" McKernan , and Bob Weir .
"Dark Hollow" is considered to be the most popular of Browning's short career, but it did not reach the peak of its popularity until it was recorded by Grateful Dead in the early 1970s. [1] They began performing acoustic covers of the song in 1970. Electric covers soon followed in 1973 followed by more acoustic covers in 1980.
The song's title is borrowed from a hymn that was popular in the nineteenth century American South with fasola singers. “Gethsemane”, written by English clergyman Thomas Haweis in 1792, begins with the lines “Dark was the night, cold was the ground / on which my Lord was laid.” [3] Music historian Mark Humphrey describes Johnson's composition as an impressionistic rendition of ...
"The Dark End of the Street" is a 1967 soul song, written by songwriters Dan Penn and Chips Moman and first recorded by James Carr. It became his trademark song, reaching number 10 on Billboard Magazine's R&B Chart, and crossing over to number 77 on the Billboard Hot 100 .
"Dark as a Dungeon" is a song written by singer-songwriter Merle Travis. It is a lament about the danger and drudgery of being a coal miner in a shaft mine . It has become a rallying song among miners seeking improved working conditions.
"Lift Every Voice and Sing," often referred to as the Black national anthem, will be performed at the Super Bowl for the fourth time in a row, the latest legacy of the traditional song. Andra Day ...
The "darkest hour" mentioned in the song refer to general loneliness and isolation, however the lyrics and song subject refer to an ex-girlfriend of Mustaine's. [4] The song was released as a promotional single for the film The Decline of Western Civilization Part II: The Metal Years, in which the song features as part of the film's official soundtrack.
Song co-writers Martin Page and Bernie Taupin have stated that the song is about the decline of live-performance clubs in Los Angeles during the 1980s. [4] [5] [6] In 2013, Taupin told Rolling Stone that the "original song was a very dark kind of mid-tempo song ... about how club life in L.A. was being killed off and live acts had no place to go ...