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e. Ottoman miniature (Turkish: Osmanlı minyatürü) is a style of illustration found in Ottoman manuscripts, often depicting portraits or historic events. Its unique style was developed from multiple cultural influences, such as the Persian Miniature art, as well as Byzantine and Mongol art. [1][2] It was a part of the Ottoman book arts ...
Turkish art. Ottoman illumination is an art form of the Ottoman Empire. Turkish art (Turkish: Türk sanatı) refers to all works of visual art originating from the geographical area of what is present day Turkey since the arrival of the Turks in the Middle Ages. [citation needed] Turkey also was the home of much significant art produced by ...
Abdullah Buhari was an 18th-century Ottoman court miniature painter. He is often described as the most important Ottoman artist of his period. [1] [2] Abdullah Buhari was known for making portraits of women, specializing in female figures and floral still-life. [3] He also had an innovative approach to creating three-dimensional paintings which ...
Kamāl ud-Dīn Behzād. Kamāl ud-Dīn Behzād (c. 1455/60–1535), also known as Kamal al-din Bihzad or Kamaleddin Behzād (Persian: کمالالدین بهزاد), was a Persian painter and head of the royal ateliers in Herat and Tabriz during the late Timurid and early Safavid Periods. [1] He is regarded as marking the highpoint of the ...
Name and identity. Saz was a style of vegetal ornament popular in Ottoman decorative arts of the 16th century, characterized by the use of long, feathery sawtoothed leaves and composite blossoms. [4] At the same time, saz is also used as a name for the art style, in which saz ornament was basic element of the compositions.
The Fountain of Ahmed III is an iconic example of Tulip Period architecture. The Tulip Period saw a flowering of arts, culture and architecture. Compared with the earlier classical style of Ottoman architecture, architecture and decoration in this period became more ornate and favoured floral motifs, being influenced by the Baroque style in Europe.
Reconstruction of an Ottoman style library, in the Topkapı Palace museum. As with many Ottoman Turkish art forms, the poetry produced for the Ottoman court circle had a strong influence from classical Persian traditions; [1] a large number of Persian loanwords entered the literary language, and Persian metres and forms (such as those of Ghazal) were used.
Turkish or Ottoman illumination refers to non-figurative painted or drawn decorative art found in manuscripts or on sheets in muraqqa. [1] In Turkish it is called “tezhip”, [2] meaning “ornamenting with gold”. The Classical Islamic style of manuscript illumination combines techniques from Turkish, Persian, and Arabic traditions.