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A triad in close harmony has compact spacing, while one in open harmony has wider spacing. Close harmony or voicing can refer to both instrumental and vocal arrangements. It can follow the standard voice-leading rules of classical harmony, as in string quartets or Bach chorales, or proceed in parallel motion with the melody in thirds or sixths.
Melodic doubling in parallel (also called parallel harmony) is the addition of a rhythmically similar or exact melodic line or lines at a fixed interval above or below the melody to create parallel movement. [12] Octave doubling of a voice or pitch is a number of other voices duplicating the same part at the same pitch or at different octaves.
Triads appear in close or open positions. "When the three upper voices are as close together as possible, the spacing is described as close position or close harmony. [...] The other arrangements [...] are called open position or open harmony." [7]
Close harmony and open harmony use close position and open position chords, respectively. See: Voicing (music) and Close and open harmony. Other types of harmony are based upon the intervals of the chords used in that harmony. Most chords in western music are based on "tertian" harmony, or chords built with the interval of thirds.
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Block chord style (also known as chorale style) uses simple chordal harmony in which "the notes of each chord may be played all at once" as opposed to being "played one at a time (broken or arpeggiated chords). For example, a guitarist can strum the chord (this would be a "block" chord) or use a picking style to play "broken" chords". [2]
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