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Don't Look Back is the second studio album by American rock band Boston, released in 1978 by Epic Records, as the band's last album on the label. [ 4 ] [ 5 ] The album reached No. 1 in both the US and Canada, and No. 9 in the UK.
"Don't Look Back" is a song by American rock band Boston, written by main songwriter, guitarist and bandleader Tom Scholz. It was released as the title track and first single from their second studio album, Don't Look Back (1978). It reached #4 on the Billboard Hot 100, making it one of the band's biggest hits. [2] [3]
The band's second album, Don't Look Back, was released in 1978. It peaked at number one on the charts in both the US and Canada, and it went seven times platinum in the US and four times platinum in Canada. [1] [2] [5] [6] Its title track peaked at number four on the Billboard Hot 100. [2]
Don't Look Back: 1978 [4] " The Journey" Tom Scholz Don't Look Back: 1978 [4] "Last Day of School" Tom Scholz Life, Love & Hope: 2013 [3] " The Launch" Tom Scholz Third Stage: 1986 [1] "Let Me Take You Home Tonight" Brad Delp: Boston: 1976 [5] "Life, Love and Hope" Tom Scholz Life, Love & Hope: 2013 [3] "Livin' for You" [b] Tom Scholz Walk On ...
Boston is an American rock band formed in Boston, Massachusetts in 1975. The band's core members include multi-instrumentalist, founder and leader Tom Scholz, who played the majority of instruments on the band's 1976 self-titled debut album, and former lead vocalist Brad Delp, among a number of other musicians who varied from album to album.
Director D.A. Pennebaker's iconic "Don't Look Back," a 1967 documentary on the American rock 'n' roll bard, will launch the indie moviehouse's Direct Cinema: Then and Now miniseries.
Boston is the debut studio album by American rock band Boston, released on August 25, 1976, by Epic Records. [3] It was produced by band guitarist Tom Scholz and John Boylan . [ 4 ]
Boston played "A Man I'll Never Be" live on the tour supporting their first album in 1977 before recording it for Don't Look Back. [32] [33] [34] Delp played the keyboards for these performances. [35] Ottawa Journal critic Mike Volsin stated that the song's slow melody showed that Boston "can settle into the slower mood without any difficulty ...