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A version of the Mona Lisa known as the Isleworth Mona Lisa was first bought by an English nobleman in 1778 and was rediscovered in 1913 by Hugh Blaker, an art connoisseur. The painting was presented to the media in 2012 by the Mona Lisa Foundation. [174] It is a painting of the same subject as Leonardo da Vinci's Mona Lisa.
Da Vinci's Mona Lisa (c. 1503–1506) "has been the subject of so many volumes of contradicting scholarly and popular speculations that it virtually impossible to reach any unambiguous conclusions" with respect to the golden ratio, according to Livio. [11]
For example, the height and width of the front of Notre-Dame of Laon have the ratio 8/5 or 1.6, not 1.618. Such Fibonacci ratios quickly become hard to distinguish from the golden ratio. [54] After Pacioli, the golden ratio is more definitely discernible in artworks including Leonardo's Mona Lisa. [55]
Art historians say Leonardo da Vinci hid an optical illusion in the Mona Lisa's face: she doesn't always appear to be smiling. There's question as to whether it was intentional, but new research ...
Using X-rays to peer into the chemical structure of a tiny speck of the celebrated work of art, scientists have gained new insight into the techniques that Leonardo da Vinci used to paint his ...
The Mona Lisa Myth is a multimedia project consisting of a 2013 book and a 2014 documentary film, produced in tandem by Renaissance scholar and art historian Jean-Pierre Isbouts, [2] with physician and art collector Christopher Heath Brown as co-author of the book and as a producer of the documentary, the latter with narration by Morgan Freeman.
The universe’s highest echelon of art contains the following: the golden ratio, reflecting the “divine” in both nature and mathematics; Leonardo Da Vinci’s Mona Lisa and the Vetruvian Man ...
Konody observed of the Isleworth subject that "[t]he head is inclined at a different angle". [29] Physicist John F. Asmus, who had previously examined the Mona Lisa in the Louvre and investigated other works by Leonardo, published a computer image processing study in 1988 concluding that the brush strokes of the face in the painting were performed by the same artist responsible for the brush ...