Search results
Results From The WOW.Com Content Network
"She Got It Made" is the second single from Plies' fourth album, Goon Affiliated. The track has uncredited vocals by the American recording artist Maejor and was released onto the Internet on March 5, 2010. "She Got It Made" samples Rupert Holmes' hit song "Escape (The Piña Colada Song)". [1]
"She Got It" is the debut single by American rapper 2 Pistols from his debut album Death Before Dishonor. The song features T-Pain and Tay Dizm and was produced by J.U.S.T.I.C.E. League . There is also an original version produced by long-time friend Bolo da Producer.
"Got It Made" is a song by Crosby, Stills, Nash & Young, featured on their 1988 album American Dream. It was released as a double A-side single alongside "This Old House" and became the only song from the album to chart on the Billboard Hot 100 , peaking at number 69 in February of 1989. [ 1 ]
A music video for "She Got Her Own" directed by Vinroc was released on September 22, 2008. [63] It featured cameo appearances by Estelle, Eve, Keyshia Cole, Jill Marie Jones, Teyana Taylor and twins Malika Haqq & Khadijah Haqq from the 2006 film ATL. [64] Ne-Yo, Jamie Foxx, and Fabolous performed "She Got Her Own" at the 2009 BET Awards.
She wanted to create that environment for her guests, too. The idea for the Spirit Tunnel was birthed in the first season when Hudson came out of her dressing room and was greeted by her staff.
[4] She expresses her gratitude through the lyrics: "You're the only one that never left me when everyone else just didn't care, you're the only one that really loved me. I made it. I made it through the storm." She describes having a close relationship with God and her faith by singing: "I got to say thank you Lord for keeping me, for grace ...
That's everything to me," she says. "If I want to feel like I have any kind of purpose or any kind of value or anything, it's about writing a song. That's where I get my fulfillment."
On its release, Music Week called "Who's That Girl (She's Got It)" a "lively, bubbling number" and "danceable electronic pop" with "wide enough appeal to chart". [8] Nancy Culp of Record Mirror commented, "To even have the same title as the seminal Eurythmics stunner is sacrilege. To soil its memory with piffle is an even greater crime." [9]