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After the release of "Bby Boo", an Anuel AA AI-made remix of the song became popular on social media. It inspired both iZaak and Anuel AA to make it happen. Later Anuel AA and Jhayco were seen filming the official video of the remix as much as a preview of the song intro. Later iZaak revealed that the remix will come out very soon.
The hit song spent five weeks at number-one on the US R&B chart and peaked at number six on the Billboard Hot 100. R. Kelly and Jay-Z have worked several times together. In 2002, they released the album The Best of Both Worlds, which sold 285,000 copies in its first week. The single is ranked by Billboard as the best selling and most played R&B ...
(Frost featuring Xzibit and Jayo Felony) — — — — That Was Then, This Is Now, Vol. 1 "Who Ride with Us (Remix)" [18] (Kurupt featuring Daz Dillinger, Traci Nelson, Roscoe and Jayo Felony) 2000 — — — — Non-album single "Got Beef" (Tha Eastsidaz featuring Blaqthoven, Jayo Felony and Sylk-E. Fyne) 99: 55: 38: 23 Tha Eastsidaz ...
The song was released by Hit Nation LLC as a single on September 20, 2023, for digital download and streaming. [1] On May 10, 2024, three remix versions was released as a singles: "remix blue" with Puerto Rican rappers Hades66 and Miky Woodz and Venezuelan singer Corina Smith, [2] "remix red" with Puerto Rican singers De la Rose, Yan Block and ...
Whatcha Gonna Do? is the second studio album by San Diego–based American rapper Jayo Felony.It was released on August 25, 1998, via Def Jam Records.The eighteen-track record features guest appearances from DMX, E-40, Kokane, 8Ball & MJG, Method Man & Redman, and Westside Connection.
This Is the Remix is a remix album by American R&B group Destiny's Child.Released in the United States on March 12, 2002 by Columbia Records, the album compiles previously released R&B and dance remixes of songs originally featured on the band's first three studio albums: Destiny's Child (1998), The Writing's on the Wall (1999) and Survivor (2001).
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Matthew Ismael Ruiz of Vulture called the song a "romp that splits the difference between the classic reggaeton riddim and Latin trap's swirling atmospherics". [3] Writing for Noisey, Gary Suarez said of the remix that it "showcases [Jhayco's] skills as both popwise hooksmith and adept spitter more than capable of contending with two of urbano's best known acts."