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For example, the aspect ratio of a rectangle is the ratio of its longer side to its shorter side—the ratio of width to height, [1] [2] when the rectangle is oriented as a "landscape". The aspect ratio is most often expressed as two integer numbers separated by a colon (x:y), less commonly as a simple or decimal fraction. The values x and y do ...
HDTV ratio used by Silicon Graphics computers in the 1990s, with the resolution being specified as 1920×1024. 1.9:1 SMPTE/DCI digital cinema basic resolution container aspect ratio. Exact ratio is 256:135 but it is commonly referred to as 1.9:1 [32] [33] or 1.90:1 [34] [35] and sometimes 1.896:1. [36] Used by Diao Yinan's The Wild Goose Lake ...
The golden ratio φ and its negative reciprocal −φ −1 are the two roots of the quadratic polynomial x 2 − x − 1. The golden ratio's negative −φ and reciprocal φ −1 are the two roots of the quadratic polynomial x 2 + x − 1. The golden ratio is also an algebraic number and even an algebraic integer.
The alternative Super series, denoted SnR, nR Plus or nR+, has an aspect ratio of 3∶2 (or as close as possible) and thus provides a better fit for standard 135 film (35 mm) at sizes of 8 inches or above. 5R is twice the size of a 2R print, 6R twice the size of a 4R print and S8R twice the size of 6R. 4D/6D is a newer size for most consumer ...
The ratio of the width to the height of an image is known as the aspect ratio, or more precisely the display aspect ratio (DAR) – the aspect ratio of the image as displayed; for TV, DAR was traditionally 4:3 (a.k.a. fullscreen), with 16:9 (a.k.a. widescreen) now the standard for HDTV.
The golden angle is the angle subtended by the smaller (red) arc when two arcs that make up a circle are in the golden ratio. In geometry, the golden angle is the smaller of the two angles created by sectioning the circumference of a circle according to the golden ratio; that is, into two arcs such that the ratio of the length of the smaller arc to the length of the larger arc is the same as ...
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The golden triangle rule is a rule of thumb in visual composition for photographs or paintings, especially those which have elements that follow diagonal lines. The frame is divided into four triangles of two different sizes, done by drawing one diagonal from one corner to another, and then two lines from the other corners, touching the first ...