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The studio was a vibrant and productive part of Southall's cultural history. At its peak – in the early 1950s – the film-making facility employed almost 100 permanent staff. [2] Some of England's best-known actors worked at Southall Studios: Richard Attenborough, Dirk Bogarde, [3] Joan Collins, [4] and horror legend Boris Karloff. [5]
Outrage, the first starring film role for Powers, was both controversial and remarkable for being only the second post-Code Hollywood film to deal with the issue of rape, after Johnny Belinda (1948). In 2020, the film was selected for preservation in the National Film Registry by the Library of Congress as being "culturally historically or ...
The Runaway Bus (also known as Scream in the Night) is a 1954 British comedy film produced, written and directed by Val Guest.It stars Frankie Howerd, Margaret Rutherford and Petula Clark and an ensemble cast of character actors in a story about a bus caught in fog while a gang of crooks tries to carry off a heist. [2]
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His second daughter was born during the making of the film. [7] Much of the film was shot in Italy on location in Naples, Siena and Tuscany over five weeks in late 1949. Of the actors, only Chandler and Märta Torén were brought in from the U.S., with the rest coming from Italy or France. [8] Filming began early in 1950. [9] [10]
The File on Thelma Jordon is a 1950 American film noir drama film directed by Robert Siodmak and starring Barbara Stanwyck and Wendell Corey.The screenplay by Ketti Frings, based on an unpublished short story by Marty Holland, [1] concerns a woman who pretends to fall in love with an assistant district attorney and uses him to escape conviction for the murder of her wealthy aunt.
Kim is a 1950 adventure film made in Technicolor by Metro-Goldwyn-Mayer. [2] [3] It was directed by Victor Saville and produced by Leon Gordon from a screenplay by Helen Deutsch, Leon Gordon and Richard Schayer, based on the classic 1901 novel of the same name by Rudyard Kipling. The film starred Errol Flynn, Dean Stockwell, and Paul Lukas.
James Southall, of Movie Wave, cited concerns with the score's over-reliance on a brass effect, dubbed "horn of doom" (made popular with the music from Inception) and wrote: "Man of Steel – the film – may not have the ambition of Inception – but it still has its unique musical needs, and they’re just not satisfied".