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Carol Leigh (January 11, 1951 – November 16, 2022), also known as The Scarlot Harlot, was an American artist, author, filmmaker, sex worker, and sex workers' rights activist. [ 1 ] [ 2 ] She is credited with coining the term sex work [ 3 ] [ 4 ] and founded the Sex Worker Film and Arts Festival and was the co-founder of BAYSWAN , the Bay Area ...
The song tells the tale of Charlotte going on a fateful motorcycle ride with the Devil. This is the first studio single to not feature Eddie in the artwork - second overall, after the live version of " Running Free " - using a picture of the song's music video instead, and it is one of two single from Fear of the Dark to not feature the mascot ...
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Lottie Wilson was born in about 1854 in Niles, Michigan.As an adult, she was a resident of Bay City, Michigan, and had an art studio there that was open to the public.In 1901, Wilson moved to Washington, D.C. to open an art studio where she held art exhibits and taught classes until 1905.
Vassos gained acclaim as an illustrator prior to his rise as an industrial designer. Between 1927 and 1935, Vassos illustrated many books, including Salome, The Ballad of Reading Gaol, and The Harlot's House and Other Poems – three literary works by Oscar Wilde published by E. P. Dutton. Vassos's iconic subjective illustrations were ...
"Charlotte the Harlot", their only song to have been credited to Dave Murray alone, [9] is the first of four Iron Maiden tracks about the fictional prostitute "Charlotte", although Murray states it was "based on a true story". [28] The 7-minute "Phantom of the Opera" is one of Harris's favourites and is still performed live relatively frequently.
From a song: This is a redirect from a song title to a more general, relevant article such as an album, film or artist where the song is mentioned.Redirecting to the specific album or film in which the song appears is preferable to redirecting to the artist when possible.
A holograph manuscript of an early version of "The Harlot's House", dated April 1882, is preserved in the William Andrews Clark Memorial Library, Los Angeles.The final version of the poem was, according to Wilde's friend and biographer Robert Sherard, written in the spring of 1883 while the author was staying at the Hôtel Voltaire in Paris, and this account is probably accurate.