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Bach's autograph of the traversière part of the second orchestral suite (BWV 1067). The four orchestral suites BWV 1066–1069 (called ouvertures by their composer) are four suites by Johann Sebastian Bach from the years 1724–1731.
Johann Sebastian Bach composed suites, partitas and overtures in the baroque dance suite format for solo instruments such as harpsichord, lute, violin, cello and flute, and for orchestra. Harpsichord [ edit ]
Pages in category "Suites by Johann Sebastian Bach" The following 18 pages are in this category, out of 18 total. ... (Bach) Partita in A minor for solo flute (Bach)
The Partita in A minor for solo flute, BWV 1013, is a partita in four movements composed by Johann Sebastian Bach.Its date of composition is uncertain, though on the basis of its advanced playing technique, which is more demanding than in the flute part for the Fifth Brandenburg Concerto, for example, it must have been written after 1723. [1]
BWV 1020 – Sonata in G minor for violin (or flute) and harpsichord (now attributed to Carl Philipp Emanuel Bach – H 542.5) [3] BWV 1021 – Sonata in G major for violin and basso continuo; BWV 1022 – Sonata in F major for violin and harpsichord (doubtful, possibly by C. P. E. Bach) [3] BWV 1023 – Sonata in E minor for violin and basso ...
For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g., Chorale cantata (Bach)#Bach's chorale cantatas, List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections and List of organ compositions by Johann Sebastian Bach#Chorale Preludes. 10 BD
The Suite in C minor, BWV 997, by Johann Sebastian Bach, [1] exists in two versions: BWV 997.1 – 1st version, composed before its earliest extant manuscript copy was written 1738–1741, for Lautenwerk (lute-harpsichord) [2] BWV 997.2 – 2nd version, for lute: the arrangement is not by Bach. [3]
The suites were later given the name 'French' (first recorded usage by Friedrich Wilhelm Marpurg in 1762). Likewise, the English Suites received a later appellation. The name was popularised by Bach's biographer Johann Nikolaus Forkel, who wrote in his 1802 biography of Bach, "One usually calls them French Suites because they are written in the French manner."