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A scarf-like sash worn tied above the obi, either knotted or tucked into the garment's collars. The obi-age has the dual purpose of hiding the obi-makura and providing a colour contrast against the obi. Obi-age are often silk, and are typically worn with more formal varieties of kimono.
The character also wear an X-like strap around the body called a ' sangvar '; it may be made of gold-colored silk or chains of gold with square ornaments. This characters also wear the same ankle and wrist jewelry as females, but with the addition of an extra set of bangles on the wrist and no armlets.
Kasavu is a technique used in handlooms of Kerala, with very fine threads of gold or silver used in weave to make border lines and designs on silk and cotton fabrics. This technique later spread to most of India and the Kasav technique was developed for many other fabrics across India.
Small dark prints were also used. Beads were plain black, dark with a purple, green, or blue metallic glint (these are called "pigeon neck" beads), or occasionally in dark gold. [11] Mit Hamal's dress is a galabiya bi sufra in plain black cotton with no embroidery, trimmed with šabābīk. The neckline is square with a pointed yoke.
The square necked tunics are decorated with ṭowq teltawayn, a black inset embroidered with green silk and accents of red, yellow, or orange. It uses herringbone stitches. The embroidery on it is asymmetric, and generally stays the same on different tunics with minor variations.
Children usually wear clothes decorated with cartoon characters. However, there is also an effort to revive traditional clothing forms such as the hanfu by the hanfu movement. At an Asia-Pacific Economic Cooperation summit in Shanghai in 2001, the host presented silk-embroidered tangzhuang jackets as the Chinese traditional national costume.