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Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo (usually exceeding 200 bpm), complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales, and occasional references ...
Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo (usually exceeding 200 bpm), complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales, and occasional references ...
Cowboy Bebop No Disc (カウボーイビバップ ノーディスク, Kaubōi Bibappu No Disuku) is the second soundtrack album, which has more stylistic variety than its predecessor, incorporating bluegrass music, heavy metal, Japanese pop, lounge, swing, chorale and scat-singing, among other styles, as well as the usual blues and jazz pieces.
In 1946, bebop co-founder Dizzy Gillespie encouraged the young trombonist's development: "I've always known that the trombone could be played different, that somebody'd catch on one of these days. Man, you're elected." [5] After leaving Basie in 1946 to play in small bebop bands in New York clubs, [3] Johnson toured in 1947 with Illinois Jacquet.
The music for Cowboy Bebop was composed by Yoko Kanno. [43] Kanno formed the blues and jazz band Seatbelts to perform the series' music. [44] According to Kanno, the music was one of the first aspects of the series to begin production, before most of the characters, story, or animation had been finalized.
It helped to shift jazz from danceable popular music towards a more challenging "musician's music." Differing greatly from swing, early bebop divorced itself from dance music, establishing itself more as an art form but lessening its potential popular and commercial value. Since bebop was meant to be listened to, not danced to, it used faster ...
Earl Rudolph "Bud" Powell (September 27, 1924 – July 31, 1966) [1] was an American jazz pianist and composer.A pioneer in the development of bebop and its associated contributions to jazz theory, [2] Powell's application of complex phrasing to the piano influenced both his contemporaries and later pianists including Walter Davis Jr., Toshiko Akiyoshi, and Barry Harris.
Hard bop is a subgenre of jazz that is an extension of bebop (or "bop") music. Journalists and record companies began using the term in the mid-1950s [1] to describe a new current within jazz which incorporated influences from rhythm and blues, gospel music, and blues, especially in saxophone and piano playing.