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The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music. [1] Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world.
Changüí is a style of Cuban music which originated in the early 19th century in the eastern region of Guantánamo Province, specifically Baracoa.It arose in the sugar cane refineries and in the rural communities populated by slaves.
Alfredo Diez Nieto was born in Havana (La Habana), Cuba, on 25 October 1918. [1] He enrolled at the Conservatorio Iranzo in Havana and studied composition, counterpoint, fugue, music history, music theory, orchestration, piano, and pedagogy with professors Rosario Iranzo, Jaime Prats, Juana Prendes, Amadeo Roldán, and Pedro Sanjuán.
A guajeo (Anglicized pronunciation: wa-hey-yo) is a typical Cuban ostinato melody, most often consisting of arpeggiated chords in syncopated patterns. Some musicians only use the term guajeo for ostinato patterns played specifically by a tres, piano, an instrument of the violin family, or saxophones.
1999 La Vida Misma, for piano, violin, cello, and percussion; 1999 Los pasos perdidos, for double bass and percussion; 2001 Cuadros de otra exposición, for horn, violin and piano; 2008 Sonata para violín, for solo violin; 2009 Mitología de las Aguas (Sonata No. 1 for flute and guitar) 2009 Diez Bocetos, for piano; 2011 Sonata para Bandurria
Rafael Machado began to study violin and musical theory in Havana, Cuba, in 1972; and received his master's degree in music from the Instituto Superior de Arte of Havana, in 1987. During this period of time he participated in important national violin competitions and obtained the first prize in the "José White" competition at the Instituto ...