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Isaiah 40 is the fortieth chapter of the Book of Isaiah in the ... Comfort, comfort my people, ... examples include the King James Version and New King James Version, ...
Isaiah chapter 40, verse 8 in Hebrew, Greek, Latin and German, with the verse analysed word-by-word. In English, this verse is translated "The grass withers and the flowers fall, but the word of our God endures forever." (from Elias Hutter, 1602)
Reason: It is possible that this verse is a repetition of Matthew 24:40. Even the King James Version had doubts about this verse, as it provided (in the original 1611 edition and still in many high-quality editions) a sidenote that said, "This 36th verse is wanting in most of the Greek copies."
Isaiah 6, in which Isaiah describes his vision of God enthroned in the Temple, influenced the visions of God in works such as the "Book of the Watchers" section of the Book of Enoch, the Book of Daniel and others, often combined with the similar vision from the Book of Ezekiel. [40] A very influential portion of Isaiah was the four so-called ...
Scene 1: Isaiah's prophecy of salvation Overture (instrumental) Comfort ye my people (tenor) Ev'ry valley shall be exalted (air for tenor) And the glory of the Lord (anthem chorus) Scene 2: The coming judgment Thus saith the Lord of hosts (accompanied recitative for bass) But who may abide the day of His coming (soprano, alto or bass)
Matthew's gospel continues "My yoke is easy, and my burden is light", however for the closing choral movement of Part I, the words are changed to "His yoke is easy, His burden is light". Light and easy-going is the theme of a fugue, drawn from the duet for two sopranos "Quel fior che all’alba ride" (HWV 192, July 1741).
Harrington links this verse to Isaiah 40:6–8, which also discussed the fleeting nature of grass and flowers. [2] Secondly it shows how unimportant these flowers are. They are commonly sacrificed en masse for the simple task of baking bread, yet God provides them with beautiful raiments. If God provides for such lowly flowers, he would surely ...
Schütz, the Dresden court composer. Geistliche Chormusik (Sacred choral music) is a collection of motets on German texts for choir by Heinrich Schütz.It was printed in Dresden in 1648 as his Opus Undecimum (Op. 11), and comprises 29 individual settings for five to seven voices, which were assigned numbers 369 to 397 in the Schütz-Werke-Verzeichnis (SWV).