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A less common meaning of the term "half-timbered" is found in the fourth edition of John Henry Parker's Classic Dictionary of Architecture (1873) which distinguishes full-timbered houses from half-timbered, with half-timber houses having a ground floor in stone [15] or logs such as the Kluge House which was a log cabin with a timber-framed ...
Hip, hipped: A hipped roof is sloped in two pairs of directions (e.g. N–S and E–W) compared to the one pair of direction (e.g. N–S or E–W) for a gable roof. Cross hipped: The result of joining two or more hip roof sections together, forming a T or L shape for the simplest forms, or any number of more complex shapes.
In Australia houses with vertical plank walls are called slab huts and the technique is similar to the American counterpart except in America these buildings may be two stories. Some plank-wall houses or creole cottages in the New Orleans area are called bargeboard [14] or flatboat board [15] houses because the vertical planks used to build the ...
Southern I-House style home. An I-house is a two or three-story house that is one room deep with a double-pen, hall-parlor, central-hall or saddlebag layout. [15] New England I-house: characterized by a central chimney [16] Pennsylvania I-house: characterized by internal gable-end chimneys at the interior of either side of the house [16]
The design was widely adopted for several reasons; due to its efficient use of spaces and windows and local building materials, the design's ability to be easily mass-produced, and because it could be adapted for stand-alone buildings, semi-detached, or as terrace houses. [1] [2] Bay-and-gable homes were viewed by its occupants as a home whose ...
If the house was more rural the bricks would be mud. If the house was in an urban area then the bricks would be baked. The bricks were made in standardised ratios of 1x2x4. “Houses range from 1–2 stories in height, with a central courtyard around which the rooms were arranged” [13] [14]
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Neoclassicism declared three sources of architectural form to be valid, without an attempt to explain the contradictions: [35] the beauty is derived from observation of nature and man-made objects; the beauty is inside the architect that tries to impress it on the world; the beautiful designs are the ones inspired by the Classical architecture.