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Minka (Japanese: 民家, lit. "folk houses") are vernacular houses constructed in any one of several traditional Japanese building styles. In the context of the four divisions of society , Minka were the dwellings of farmers, artisans, and merchants (i.e., the three non- samurai castes ). [ 1 ]
Even with governmental encouragement to transform the home, the majority of Japanese people still lived in fairly traditional style dwellings well into the 1920s, [93] partly due to economic situation in the early 1910s that meant western style was out of reach for the majority of people. It was also difficult to incorporate furniture into ...
Hearth in a traditional Japanese house in Honshū A modern kerosene space heater. Space heating rather than central heating is normal in Japanese homes. Kerosene, gas, and electric units are common. Apartments are often rented without heating or cooling equipment but with empty duct space run, allowing the installation of heat pump units.
Shoin-zukuri (Japanese: 書院造, 'study room architecture') is a style of Japanese architecture developed in the Muromachi, Azuchi–Momoyama and Edo periods that forms the basis of today's traditional-style Japanese houses.
The typical Kyoto machiya is a long wooden home with narrow street frontage, stretching deep into the city block and often containing one or more small courtyard gardens, known as tsuboniwa. Machiya incorporate earthen walls and baked tile roofs, and are typically one, one and a half or two stories high, occasionally stretching to three stories ...
In the Azuchi-Momoyama period not only sukiya style but the contrasting shoin-zukuri (書院造) of residences of the warrior class developed. While sukiya was a small space, simple and austere, shoin-zukuri style was that of large, magnificent reception areas, the setting for the pomp and ceremony of the feudal lords.
' longhouse ') is a type of Japanese rowhouse that was typical during the Edo period (1603–1868). [1] A nagaya was a long housing complex under the same ridge, one or two stories high, divided into small compartments for rent. The well, toilet and waste facilities were shared. Except for a bedroom, each household only had a kitchen. [1]
The National Forestry Agency of Japan granted special permission to harvest the wood, particularly "hinoki" cypress wood, which was in short supply. A special Rockefeller Architectural Committee was formed and recommended a 17th-century shoin-zukuri house for the exhibit since that style most typically represents Japanese traditional architecture.