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"Tom Hark" is an instrumental South African kwela song from the 1950s, believed to have been composed by Jack Lerole. [1] The song was arranged for penny whistle and first recorded by Elias and His Zig-Zag Jive Flutes – a South African band formed by pennywhistlers Jack and his brother Elias Lerole – and released in 1956. [ 1 ]
The "jive flute" in the name Elias and His Zig-Zag Jive Flutes is the penny whistle. [2] In 1956, the four were signed to EMI South Africa by the label's "black music" record producer, Rupert Bopape. [2] One of the tunes they recorded was "Tom Hark". [2]
This had been an instrumental hit in 1958 for Elias & His Zig Zag Jive Flutes, and had already been covered in a ska style by Millie Small and by Georgie Fame on his 1964 EP "Rhythm & Blue-Beat". With new lyrics written by the band's frontman "Boring" Bob Grover (allegedly en route to the recording studio), and with Pete Waterman on executive ...
Lerole was the bandleader of Elias and His Zig-Zag Jive Flutes, who had an international hit record in 1958 with "Tom Hark". He co-founded the fusion band Mango Groove in 1984, and later collaborated with Dave Matthews Band, a rock band from the United States.
Kwela is a pennywhistle-based street music from southern Africa [1] with jazzy underpinnings and a distinctive, skiffle-like beat.It evolved from the marabi sound and brought South African music to international prominence in the 1950s.
Multiphonic played on an oboe using alternative fingering Frequency spectrum of this sound. On woodwind instruments—e.g., saxophone, clarinet, oboe, bassoon, flute, and recorder—multiphonics can be produced either with new fingerings, by using different embouchures, or voicing the throat with conventional fingerings.
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
An arpeggio for the chord of C major going up two octaves would be the notes (C, E, G, C, E, G, C). In musical notation, a very rapid arpeggiated chord may be written with a wavy vertical line in front of the chord. Typically these are read as to be played from the lowest to highest note, though composers may specify a high to low sequence by ...