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Piano Concerto (Santiago) Piano Concerto No. 1 (Scharwenka) Piano Concerto No. 1 (Tchaikovsky) Piano Sextet (Lyapunov) Piano Sonata (Reubke) Piano Sonata No. 2 (Chopin) Piano Sonata No. 2 (Rachmaninoff) Polonaises, Op. posth. (Chopin) Prelude and Fugue in B-flat minor, BWV 867; Prelude and Fugue in B-flat minor, BWV 891; Prelude, Op. 28, No. 16 ...
BWV 784 – Invention No. 13 in A minor; BWV 785 – Invention No. 14 in B-flat major; BWV 786 – Invention No. 15 in B minor; BWV 787 – Sinfonia No. 1 in C major; BWV 788 – Sinfonia No. 2 in C minor; BWV 789 – Sinfonia No. 3 in D major; BWV 790 – Sinfonia No. 4 in D minor; BWV 791 – Sinfonia No. 5 in E-flat major; BWV 792 ...
B-flat minor is traditionally a 'dark' key. [ 1 ] The old valveless horn was barely capable of playing in B-flat minor: the only example found in 18th-century music is a modulation that occurs in the first minuet of Franz Krommer 's Concertino in D major , Op. 80.
The first movement of the second piano sonata is in sonata allegro form. The exposition begins with the first theme, which has a descending arpeggio that ends with a low B-flat octave followed by a B-flat minor chord. The first theme area lasts until a cadenza-like passage creates a bridge into the second theme area.
[citation needed] Richard Strauss's An Alpine Symphony (1915) "starts and ends with the setting sun—a B flat minor chord cluster slowly built down." [36] Though much of his work was made public only years later, Charles Ives had been exploring the possibilities of the tone cluster—which he referred to as the "group chord"—for some time.
The Piano Concerto No. 1 in B ♭ minor, Op. 23, was composed by Pyotr Ilyich Tchaikovsky between November 1874 and February 1875. [1] It was revised in 1879 and in 1888. It was first performed on October 25, 1875, in Boston by Hans von Bülow after Tchaikovsky's desired pianist, Nikolai Rubinstein, criticised the piece.
The prelude opens with six heavily accented chords before progressing to an impromptu-like passage in the right hand. While the right hand must cover some four to six pages (depending on the edition) of sixteenth notes in around a minute at a presto con fuoco tempo, most pianists find the prime difficulty of the prelude to be the rapid follow ...
"b–a–c–h is beginning and end of all music" (Max Reger 1912) In music, the BACH motif is the motif, a succession of notes important or characteristic to a piece, B flat, A, C, B natural. In German musical nomenclature, in which the note B natural is named H and the B flat named B, it forms Johann Sebastian Bach's family name.