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Some two decades after the over twenty Weimar concerto transcriptions for unaccompanied keyboard instruments, Bach returned to L'estro armonico, and transcribed its No. 10, the concerto in B minor for four violins, cello, strings, and continuo, RV 580, to his concerto in A minor for four harpsichords, strings and continuo, BWV 1065. [55]
BWV 979 – Concerto in B minor (recently identified as Vivaldi's Concerto RV Anh. 10, now RV 813) [56] BWV 980 – Concerto in G major (arrangement of Antonio Vivaldi's Violin Concerto in B-flat Major, RV 381) BWV 981 – Concerto in C minor (possibly an arrangement of Benedetto Marcello's concerto Op. 1/2)
Leopold Stokowski made a large number of transcriptions for full orchestra, including the Toccata and Fugue in D minor for organ, which appeared in the film Fantasia and the Little Fugue in G minor. Alexander Siloti made many piano transcriptions of Bach, most famously his Prelude in B minor based on Bach's Prelude in E minor, BWV 855a.
Menuet 2 (=second Minuet, G minor) [6] On reprend le premier Menuet (repeat the first Minuet) [6] Both the G major and the G minor Menuets, in 3 4 time, consist of 32 measures, each with a repeat sign at the end of the 16th measure (for a repeat of the first half of the piece), and another at the end of the Menuet (for a repeat of the second ...
Vivaldi's concerto for four violins Op. 3 No. 10 was reworked by Bach as his concerto for four harpsichords BWV 1065. The 5th Brandenburg Concerto , BWV 1050, always was a concerto for flute, violin and harpsichord, also in its earlier version BWV 1050a.
The Brandenburg Concerto No. 1, BWV 1046.2 (BWV 1046), [23] is the only one in the collection with four movements. The concerto also exists in an alternative version, Sinfonia BWV 1046.1 (formerly BWV 1046a), [24] which appears to have been composed during Bach's years at Weimar.
Toccata and Fugue in D minor and the Other Bach Transcriptions for Solo Piano Dover Publications, 1996, ISBN 0-486-29050-6 •Note: Includes the same items as Vol III of the BB6. However, the actual sources are other publications of the same pieces as noted below. 1) Prelude and Fugue in D Major, BWV 532 [from Breitkopf & Härtel, EB 3355]
The concerto transcriptions of Johann Sebastian Bach date from his second period at the court in Weimar (1708–1717). Bach transcribed for organ and harpsichord a number of Italian and Italianate concertos, mainly by Antonio Vivaldi, but with others by Alessandro Marcello, Benedetto Marcello, Georg Philipp Telemann and the musically talented Prince Johann Ernst of Saxe-Weimar.