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A list of metaphors in the English language organised alphabetically by type. A metaphor is a literary figure of speech that uses an image, story or tangible thing to represent a less tangible thing or some intangible quality or idea; e.g., "Her eyes were glistening jewels".
One of the main focal points of cognitive literary analysis is conceptual metaphor, an idea pioneered and popularized by the works of Lakoff, as a tool for examining texts. Rather than regarding metaphors as ornamental figures of speech, cognitive poetics examines how the conceptual bases of such metaphors interact with the text as a whole.
The critic analyzes the metaphor(s) or groups of metaphors in the artifact to reveal how their structure may affect the intended audience. Foss writes, "Here, the critic suggests what effects the use of the various metaphors may have on the audience and how the metaphors function to argue for a particular attitude toward the ideas presented."
George Philip Lakoff (/ ˈ l eɪ k ɒ f / LAY-kof; born May 24, 1941) is an American cognitive linguist and philosopher, best known for his thesis that people's lives are significantly influenced by the conceptual metaphors they use to explain complex phenomena.
Metaphors We Live By is a book by George Lakoff and Mark Johnson published in 1980. [ 1 ] [ 2 ] The book suggests metaphor is a tool that enables people to use what they know about their direct physical and social experiences to understand more abstract things like work, time, mental activity and feelings.
There is a connection to the word nesa meaning subject to public ridicule/failure/shame, i.e. "the failure/shame of swords", not only "where the sword first hits/ headland of swords" Kennings can sometimes be a triple entendre. N: Þorbjörn Hornklofi, Glymdrápa 3 ship wave-swine unnsvín: N ship sea-steed gjálfr-marr: N: Hervararkviða 27 ...
A form of literature – literature is composition, that is, written or oral work such as books, stories, and poems. Fine art – in Western European academic traditions, fine art is art developed primarily for aesthetics, distinguishing it from applied art that also has to serve some practical function. The word "fine" here does not so much ...
The first type of ambiguity is the metaphor, that is, when two things are said to be alike which have different properties. This concept is similar to that of metaphysical conceit. Two or more meanings are resolved into one. Empson characterizes this as using two different metaphors at once.