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The String Sextet No. 1 in B ♭ major, Op. 18, was composed in 1860 by Johannes Brahms and premiered 20 October that year in Hanover by an ensemble led by Joseph Joachim. [1] [2] It was published in 1862 by the firm of Fritz Simrock. The sextet is scored for two violins, two violas, and two cellos. The sextet has four movements: [3]
A. 1b/1-36: Various performance materials to works by other composers see [6] for list A. 2a/1-29: Various lost works see [6] for list A. 2b/1-7: Various lost arrangements by Brahms of other composers' works see [6] for list A. 3/14-19: Various sketches and sketchbooks see [6] for list A. 5a/1-3: Various collections of folk songs, notated by Brahms
Among the earliest works in this form are the nine string sextets Op. 23 by Luigi Boccherini, written in 1776.Other notable string sextets include the String Sextets Op. 18 and 36 by Brahms, Dvořák's Op. 48, Tchaikovsky Souvenir de Florence, Op. 70, Schoenberg's Verklärte Nacht, Op. 4, Erich Wolfgang Korngold Op. 10, Erwin Schulhoff's String Sextet of 1924, and Charles Wuorinen's String ...
Johannes Brahms' String Sextet No. 2 in G major, Opus 36 was composed during the years of 1864–1865 (although it drew on material from earlier times) and published by the firm of Fritz Simrock. It was first performed in Boston, Massachusetts on October 11, 1866, with the European premiere following the next month in Zurich. [1]
Brahms, Johannes. String Sextet No. 1 in B-flat major, Op. 18 (1860) String Sextet No. 2 in G major, ... IMSLP category for string sextets for the usual lineup; See also
No. 1 in B minor. Agitato is the more extensive piece, with outer sections in sonata form enclosing a lyrical, nocturne-like central section in B major and with a coda ending in that key. No. 2 in G minor. Molto passionato, ma non troppo allegro is a more compact piece in a more conventional sonata form.
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During Brahms' lifetime, the string quartet, like the symphony, was a genre dominated by the compositions of Ludwig van Beethoven.Brahms had remarked of Beethoven in 1872, a year before finishing his first quartets, "You can't have any idea what it's like always to hear such a giant marching behind you!"