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English: Daniel in the Lions Den, from 1896 Salon catalog. The original painting has been lost, although the painter Henry Ossawa Tanner painted a nearly identical variation. The catalog print is useful to compare that variation to what the engraver saw when he looked at Tanner's painting in the Salon.
B'. (6:1–28) – Daniel in the lions' den; A'. (7:1–28) – A vision of four world kingdoms replaced by a fifth; The story of Daniel in the lions' den in chapter 6 is paired with the story of Shadrach, Meshach, and Abednego and the "fiery furnace" in Daniel 3. The parallels include the jealousy of non-Jews, an imperial edict requiring Jews ...
Daniel in the Lions' Den Year c. 1614-1616 Medium oil paint, canvas Dimensions 224.2 cm (88.3 in) × 330.5 cm (130.1 in) Location National Gallery of Art Identifiers RKDimages ID: 28802 [edit on Wikidata] Daniel in the Lions' Den is a painting from around 1615 by the Flemish artist Peter Paul Rubens that is displayed in the National Gallery of Art in Washington, D.C. The painting depicts ...
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C'. (chapter 5) – Daniel interprets the handwriting on the wall for Belshazzar; B'. (chapter 6) – Daniel in the lions' den; A'. (chapter 7) – A vision of four world kingdoms replaced by a fifth; Daniel 5 is thus composed as a companion-piece to Daniel 4, the tale of the madness of Nebuchadnezzar, the two giving variations on a single theme.
Chapter 6: Daniel in the Lions's Den; Chapter 7: The Four Beasts; Chapter 8: The Ram, He-Goat and Horn; Chapter 9: The Seventy Weeks; Chapters 10–12: Daniel's final vision; Additions to Daniel: - Song of the Three Holy Children - Susanna and the Elders (Daniel 13) - Bel and the Dragon (Daniel 14)
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