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Keep Your Eyes on the Prize" is a folk song that became influential during the American Civil Rights Movement of the 1950s and 1960s. It is based on the traditional song, " Gospel Plow ," also known as "Hold On," "Keep Your Hand on the Plow," and various permutations thereof.
Keep your hand on the plow, hold on Hold on Hold on Keep your hand on the plow, hold on Heard the voice of Jesus say Come unto me, I am the way. Keep your hand on the plow, hold on. When my way gets dark as night, I know the lord will be my light, Keep your hand on the plow, hold on. Hold on Hold on Keep your hand on the plow, hold on.
Eyes on the Prize: America's Civil Rights Movement is an American television series and 14-part documentary about the 20th-century civil rights movement in the United States. [1] The documentary originally aired on the PBS network, and it also aired in the United Kingdom on BBC2 .
Denisoff subdivided protest songs as either "magnetic" or "rhetorical". "Magnetic" protest songs were aimed at attracting people to the movement and promoting group solidarity and commitment – for example, "Keep Your Eyes on the Prize" and "We Shall Overcome". "Rhetorical" protest songs, on the other hand, are often characterized by ...
The song is referred to by Pete Seeger in his 1989 book Everybody Says Freedom. It falls under the folk music genre, which was popular in the 1930s and 1940s and was revived in the 1960s during the civil rights movement. Music and singing were an integral part of the movement, many songs being adapted from earlier religious songs. [1] [5] [6] [7]
Eyes on the Prize is an American documentary film about the Civil Rights Movement. Eyes on the Prize may refer to: Eyes on the Prize, a 2003 album by the hip hop group 3 The Hard Way "Eyes on the Prize", a 1994 episode of the American animated series The Critic "Keep Your Eyes on the Prize", an American folk song
The Roots recorded the song for the soundtrack of the 2009 documentary film, Soundtrack for a Revolution. Richard A. Couto wrote the book Ain't Gonna Let Nobody Turn Me Round; The Pursuit of Racial Justice in the Rural South. Joan Baez released a live version of this song on her album, From Every Stage (1976).
"Eyes on the Prize; Interview with Dr. Bernice Johnson Reagon" conducted in 1986 for the Eyes on the Prize documentary. Reagon grew up in a church without a piano, so her early music was a cappella , and her first instruments were her hands and feet, and she explained, "that's the only way I can deal comfortably with creating music."