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The Swiss style was used as the main tool in shaping the principles of corporate identity in various areas. Also, the Swiss style contributed to the development and spread of minimalism as a mass artistic doctrine. [39] It is believed that it was the Swiss style that formed the basis of the modern computer design system, in particular Flat Design.
This is a paint color that works well with any palette and for that, we’d consider it ‘gold.’” — Janelle Hughes and Kim Williams, KJ Design & Mortar Styling LLC SHOP THE COLOR
In the RAL Design System Plus, there are groups of colours every 10° of hue and additionally at 75°, 85° and 95°. Possible lightness values are 15% through 90% in steps of 5% for monochromatic shades of grey (i.e. C = 0%) and 20% through 90% in steps of 10% and additionally 85% and 93%.
Fixed 16-color palette (1 bit each of red, green, blue, and brightness, with bright white replaced by orange), with 2 colors per block on an 8×1 pixel attribute grid. Commodore Plus/4 (1984) Multicolor and High resolution 16-color graphic modes, from 121-color master palette (black and 15 hues by 8 luminosity levels). Amstrad CPC (1984)
Typography: An Encyclopedic Survey of Type Design and Techniques Through History. Black Dog & Leventhal: 1998. ISBN 1-57912-023-7. Hollis, Richard. Swiss Graphic Design: The Origins and Growth of an International Style, 1920–1965. Yale University Press: 2006. ISBN 0-300-10676-9. Meggs P. A History of Graphic Design. N. Y.:
It started with 1,688 colours and was revised to 1,625 colours and again to 1,825 colours. The colours of RAL Classic and RAL Design do not intersect. Contrary to the preceding systems, RAL Design features no names and its numbering follows a scheme based on the CIELAB colour space, specifically cylindrical CIEHLC.