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A funeral procession in the Philippines, 2009. During the Pre-Hispanic period the early Filipinos believed in a concept of life after death. [1] This belief, which stemmed from indigenous ancestral veneration and was strengthened by strong family and community relations within tribes, prompted the Filipinos to create burial customs to honor the dead through prayers and rituals.
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Detail on a jar cover molded into a human head. Even though the burial jars are similar to that of the pottery found in Kulaman Plateau, Southern Mindanao and many more excavation sites here in the Philippines, what makes the Maitum jars uniquely different is how the anthropomorphic features depict “specific dead persons whose remains they guard”.
Funerary art is any work of art forming, or placed in, a repository for the remains of the dead. The term encompasses a wide variety of forms, including cenotaphs ("empty tombs"), tomb-like monuments which do not contain human remains, and communal memorials to the dead, such as war memorials , which may or may not contain remains, and a range ...
The Manunggul Jar is a secondary burial jar excavated from a Neolithic burial site in the Manunggul cave of the Tabon Caves at Lipuun Point in Palawan, Philippines.It dates from 890–710 B.C. [2] and the two prominent figures at the top handle of its cover represent the journey of the soul to the afterlife.
The oldest existing Roman Catholic church in the Philippines under the auspices of The Order of St. Augustine. Part of 4 churches under the UNESCO world heritage site distinction under Baroque churches of the Philippines: PD 260, s. 1973 [33] 1973: Fort Pilar: Zamboanga City: 1635
Chapter 3 of The Archaeology of Central Philippines, "The Kalanay Cave Site, Masbate, Philippines," describes the site and Solheim's excavations in 1951 and 1953. It describes a small burial cave that contained a large amount of pottery, a few stone and iron tools, a few other artifacts, and some fragmentary skeletal remains.
Manuel Antonio Rodriguez Sr. (January 1, 1912 [2] – May 6, 2017), [3] also known by his nickname Mang Maning, was a Filipino printmaker.He was one of the pioneers of printmaking in the Philippines and was dubbed as the "Father of Philippine Printmaking".