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Ichor originates in Greek mythology, where it is the "ethereal fluid" that is the blood of the Greek gods, sometimes said to retain the qualities of the immortals' food and drink, ambrosia and nectar. [2] Ichor is described as toxic to humans, killing them instantly if they came in contact with it.
The masks were the most striking feature of the costume worn by the Athenian actors. Facial expression was lost anyway due to the huge size of the Greek theatres, but the masks were also a means of blotting out expression, so visual meaning was expressed by the entire body. The actors were seen as silhouettes, or integral bodies, rather than faces.
Color symbolism in art, literature, and anthropology is the use of color as a symbol in various cultures and in storytelling. There is great diversity in the use of colors and their associations between cultures [ 1 ] and even within the same culture in different time periods. [ 2 ]
Melpomene means a celebration of dance and song, while Thalia comes from the Greek thallein meaning to flourish or be verdant. [1] They are often depicted wearing the sock and buskin, which have also come to represent comedy and tragedy, and the masks are thus sometimes referred to as Sock and Buskin. [3] [better source needed]
Supporting the view that gorgoneia originated as masks, are two groups of seventh-century BC terracotta gorgonion-like masks: a group of wearable helmet masks from Tiryns, and another group of non-wearable votive masks from the Sanctuary of Orthia at Sparta, which share some features with the typical earliest representations of Gorgon faces. If ...
Schliemann claimed that one of the masks he discovered was the mask of King Agamemnon, and that this was the burial site of the legendary king from Homer's Iliad. [4]The masks were likely direct representations of the deceased, symbolizing a continuation of the dead's identity in death, similar to funerary statues and incisions, immortalizing an idealized depiction of the deceased.
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Ampyx (ἄμπυχ) was a headband worn by Greek women to confine the hair, passing round the front of the head and fastening behind. It appears generally to have consisted of a plate of gold or silver, often richly worked and adorned with precious stones. [86] Sphendone (σφενδόνη) was a fastening for the hair used by the Greek women. [87]