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  2. Banda Machos - Wikipedia

    en.wikipedia.org/wiki/Banda_Machos

    In the year 2000, Me Llamo Raquel, from their 11th studio album, Mi Guitarra Y Yo, took over radio airwaves in the United States and Latin America. Other songs on the album include Fracase, Si Los Caminos Hablaran, A Capa y Espada, Los Dos Zacatecanos, A Mover El Bote and Ya No Me Dejo.

  3. My Name Is Mud - Wikipedia

    en.wikipedia.org/wiki/My_Name_Is_Mud

    The music video for "My Name Is Mud" was directed by Mark Kohr (who would also helm the videos for two other Primus singles: "DMV" and "Mr. Krinkle"). [5]According to Les Claypool, the video is composed of three distinct visual threads: The first is the band performing the song in silhouette.

  4. Rigoberta Menchú - Wikipedia

    en.wikipedia.org/wiki/Rigoberta_Menchú

    A year later, in 1982, she narrated a book about her life, titled Me llamo Rigoberta Menchú y así me nació la conciencia (My Name is Rigoberta Menchú, and this is how my Awareness was Born), to Venezuelan author and anthropologist Elizabeth Burgos. The book was translated into five other languages including English and French. [5]

  5. Mario Gareña - Wikipedia

    en.wikipedia.org/wiki/Mario_Gareña

    In 1969, he recorded his most famous song, Yo me llamo cumbia, which was covered by Leonor Gonzalez Mina. In 1970, he represented Colombia at the Festival Latinoamericano de la Canción de Nueva York with the song Te dejo la ciudad sin mí, performed by Los Ángeles Negros. [3]

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  7. Ayer Me Llamó Mi Ex - Wikipedia

    en.wikipedia.org/wiki/Ayer_Me_Llamó_Mi_Ex

    "Ayer Me Llamó Mi Ex" (transl. "Yesterday My Ex Called Me") is a song by Argentine latin trap singer Khea featuring American bachata guitarist Lenny Santos. It was released on August 20, 2020. The music video for the song has more than 125 million views on YouTube. The song has over 115 million plays on Spotify.

  8. Los Toreros Muertos - Wikipedia

    en.wikipedia.org/wiki/Los_Toreros_Muertos

    Their first single was Yo no me llamo Javier. With the gradual relaxation of mores in Spain in the mid-1980s, there was a perceived explosion of out-of-wedlock births. This song was a barbed commentary written from the viewpoint of a young man named Javier accused of fathering a child.

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