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Both the recorded music sector and music publishing sector have their foundations in intellectual property law and all of the major recording labels and major music publishers and many independent record labels and publishers have dedicated "business and legal affairs" departments with in-house lawyers whose role is not only to secure ...
The Official Code of Georgia Annotated or OCGA is the compendium of all laws in the state of Georgia. Like other state codes in the United States, its legal interpretation is subject to the U.S. Constitution, the U.S. Code, the Code of Federal Regulations, and the state's constitution. It is to the state what the U.S. Code is to the federal ...
Second, unlike judges and legislators, the creators of annotations are incentivised by copyright law and profits. Third, while copyrighting judicial opinions and statutes would be contrary to fair notice of the laws, i.e., the legal presumption that every citizen is aware of the law, the same does not apply to annotations since they are non ...
The Norwegian copyright act does not address public domain directly. The Norwegian copyright law defines two basic rights for authors: economic rights and moral rights. [..] For material that is outside the scope of copyright, the phrase «i det fri» («in the free») is used. This corresponds roughly to the term «public domain» in English.
The person, who after expiration of copyright term, publishes first a work, which was not published earlier, enjoys economic rights (Art. 18 para. 8) during 25 years from the date of lawful publication (Art. 32 para. 6). Yet after expiration of copyright term a fee may be charged for use of the work within the territory of Georgia (Art. 34 para 2).
Interested copyright parties, a heretofore unknown category in copyright law, is defined by the act as featured artists receive 40%, and the owners of the right to reproduce sound recordings (an individual or company, mostly the record label, who owns the master sound recording) receive 60%.
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Under the 1909 copyright, works copyrighted in the United States before January 1, 1978, were subject to a renewal system in which the term of copyright was divided into two consecutive terms. [3] Strict time limits were imposed on renewal registration to secure the second term and extending copyright to the maximum length.