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The Descent from Mount Sinai is a fresco by the Italian Renaissance painter Cosimo Rosselli and his assistants, executed in 1481–1482 and located in the Sistine Chapel, Rome. It depicts the prophet Moses in the process of receiving and introducing the Ten Commandments .
The earliest known version of the standard depiction is in an apse mosaic at Saint Catherine's Monastery on Mount Sinai in Egypt, dating to the period of (and probably commissioned by) Justinian the Great, where the subject had a special association with the site, because of the meeting of Christ and [3] Moses, "the 'cult hero' of Mount Sinai".
The Transfiguration of Jesus is an event described in the New Testament, where Jesus is transfigured and becomes radiant in glory upon a mountain. [1] [2] The Synoptic Gospels (Matthew 17:1–8, Mark 9:2–13, Luke 9:28–36) recount the occasion, and the Second Epistle of Peter also refers to it.
In Galatians 4:24–25, Mount Sinai is mentioned: "One covenant is from Mount Sinai and bears children who are to be slaves: This is Hagar. Now Hagar stands for Mount Sinai in Arabia and corresponds to the present city of Jerusalem, because she is in slavery with her children." Mount Sinai/Horeb is also alluded to in Hebrews 12:18–21. [24]
These early images respect the timing of the change in Moses' appearance, showing him without horns before he comes down Mount Sinai. [18] Afterwards, such images proliferated and can be found, for example, in the stained glass windows at Chartres Cathedral, the Sainte-Chapelle, and Notre Dame Cathedral, even as Moses continued to be depicted ...
Mount Sinai, showing the approach to Mount Sinai, 1839 painting by David Roberts, in The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia. The biblical account of the giving of the instructions and teachings of the Ten Commandments was given in the Book of Exodus, primarily between chapters 19 and 24, during which Sinai is mentioned by name twice, in Exodus 19:2; 24:16.
Some scholars have suggested the icon at Sinai could have been a possible representation of the Kamouliana icon of Christ [11] or of the famous icon of Christ of the Chalke Gate, [12] an image which was destroyed twice during the first and second waves of Byzantine Iconoclasm—first in 726, and again in 814—and thus its connection with the ...
The wilderness of Paran is often associated with Mount Sinai in Egypt, and there is some evidence that it may originally have referred to the southern portion of the Sinai Peninsula. [ 14 ] in 1989, Professor Haseeb Shehada , in his translation of the Samaritan Torah , suggested an identification of the wilderness of Paran with the desert of ...