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The Girl in the Picture: The Kim Phúc Story, the Photograph and the Vietnam War, by Denise Chong, is a 1999 biographical and historical book tracing the life story of Phúc. Chong's historical coverage emphasizes the life, especially the school and family life, of Phúc from before the attack, through convalescence, and into the present time.
Double eyelids are unconditionally considered beautiful in East Asian society. [13] The double eyelid is a crease in the small flap of skin that covers the eye. It has been estimated that 17–32% of Chinese women lack this upper eyelid crease, giving them a monolid appearance. [14] However, this is not ideal when it comes to Chinese beauty.
During the opening of Japan to the West in the Meiji Restoration, Japanese physician M. Mikamo was the first surgeon to publish a technique for East Asian blepharoplasty, to westernise the Asian eyelid. [17] The submissive femininity that was highly valued before was replaced by a new concept of liberated women.
The Singapore Girl is said to engender "Asian values and hospitality" and has been described as "caring, warm, gentle, elegant and serene". [ 13 ] A wax figure of the Singapore Girl was created and shown at Madame Tussaud's Wax Museum in London in 1994, [ 14 ] as the first figure to represent a commercial undertaking. [ 15 ]
A study from 2008 determined that 20 percent of young Korean girls have undergone cosmetic surgery. This is significantly above the average rate in other countries. [3] A recent survey from Gallup Korea in 2015 determined that approximately one-third of South Korean women between 19 and 29 have claimed to have had plastic surgery.
The first Asian-American Playmate of the Year was Jodi Ann Paterson in 2000. Pages in category "American Playboy Playmates of Asian descent" The following 8 pages are in this category, out of 8 total.
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The Harajuku Girls performing on the Harajuku Lovers Tour 2005. The Harajuku Girls are four Japanese and Japanese-American backup dancers featured in stage shows and music videos for Gwen Stefani during her solo pop/dance-record career. [1] The women also act as an entourage at Stefani's public appearances.