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Wabi-sabi is a composite of two interrelated aesthetic concepts, wabi and sabi . According to the Stanford Encyclopedia of Philosophy , wabi may be translated as "subdued, austere beauty," while sabi means "rustic patina ."
Japanese aesthetics comprise a set of ancient ideals that include wabi (transient and stark beauty), sabi (the beauty of natural patina and aging), and yūgen (profound grace and subtlety). [1] These ideals, and others, underpin much of Japanese cultural and aesthetic norms on what is considered tasteful or beautiful .
She described the philosophy of wabi sabi used in her book to be a combination of the Japanese words wabi, which means "finding beauty in simplicity", and sabi, which is the passage of time. [6] This idea of enjoying impermanence and the ever-changing aesthetic of nature is described by Kempton as being a "pillar of wabi sabi". [7]
Yuriko Saito (Japanese: 斉藤 百合子, born 1953) is a retired Japanese-American philosopher specializing in aesthetics, including wabi-sabi, the Japanese philosophy of appreciating transience and imperfection. [1] She is a professor emeritus of philosophy at the Rhode Island School of Design (RISD). [2]
Goryeo wine ewer with spout and handle repaired with gold lacquer by a Japanese collector in the early 20th century. As a philosophy, kintsugi is similar to the Japanese philosophy of wabi-sabi, an embracing of the flawed or imperfect. [10] [11] Japanese aesthetics values marks of wear from the use of an
Japanese philosophy has historically been a fusion of both indigenous Shinto and continental religions, such as Buddhism, Taoism and Confucianism. Formerly heavily influenced by both Chinese philosophy and Indian philosophy , as with Mitogaku and Zen , much modern Japanese philosophy is now also influenced by Western philosophy .
Shibui (渋い) (adjective), shibumi (渋み) (subjective noun), or shibusa (渋さ) (objective noun) are Japanese words that refer to a particular aesthetic of simple, subtle, and unobtrusive beauty. [1] Like other Japanese aesthetics terms, such as iki and wabi-sabi, shibui can apply to a wide variety of subjects, not just art or fashion. [2]
Japanese woodblock print showcasing transience, precarious beauty, and the passage of time, thus "mirroring" mono no aware [1] Mono no aware (物の哀れ), [a] lit. ' the pathos of things ', and also translated as ' an empathy toward things ', or ' a sensitivity to ephemera ', is a Japanese idiom for the awareness of impermanence (無常, mujō), or transience of things, and both a transient ...