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Ornate details on the entrance tower of Sri Mariamman Hindu Temple, Singapore.. Sacral architecture (also known as sacred architecture or religious architecture) is a religious architectural practice concerned with the design and construction of places of worship or sacred or intentional space, such as churches, mosques, stupas, synagogues, and temples.
A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones.
Much Christian art borrowed from Imperial imagery, including Christ in Majesty, and the use of the halo as a symbol of sanctity. Late Antique Christian art replaced classical Hellenistic naturalism with a more abstract aesthetic. The primary purpose of this new style was to convey religious meaning rather than accurately render objects and people.
The illumination of religious images with lamps or candles is an ancient practice pre-dating Christianity. According to Fr. Les Bundy, "The Ecumenical Counciliar dogmatic decrees on icons refer, in fact, to all religious images including three-dimensional statues.
Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
The Heart of the Andes is a large oil-on-canvas landscape painting by the American artist Frederic Edwin Church (1826–1900). It depicts an idealized landscape in the South American Andes, where Church traveled on two occasions.