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Bavarian stonemasons wear knee-length tunics, hose, and ankle-high shoes, c. 1505. Sheep shearers wear short tunics over shirts, with hose and ankle-high shoes, Flanders, c. 1510. Haymakers : Barefoot women wear short-sleeved, front-laced gowns with contrasting linings tucked up over knee-length chemises, with aprons and straw hats.
Two young ladies wear mob caps over high hair, 1778; The Ladies Waldegrave wear transitional styles, 1780–81, in their portrait by Reynolds. Their hair is powdered and dressed high, but their white caracos, like shorter dresses à la polonaise, have long tight sleeves. Marie Antoinette in chemise dress, 1783. She wears a sheer, striped sash ...
Trunk hose or round hose were short padded hose. Very short trunk hose were worn over cannions, fitted hose that ended above the knee. Trunk hose could be paned or pansied, with strips of fabric (panes) over a full inner layer or lining. Slops or galligaskins were loose hose reaching just below the knee. Slops could also be pansied. [14] [19] [42]
Charles the Bold (right) wears a long floral patterned gown, while his attendants wear very short gowns with hose. All wear long pointed shoes, France, 1468–1470. Parti-coloured hose are worn with a Giornea belted at the waist. Italy, c. 1470. Giuliano de' Medici wears the high collarless Italian style at the neck, 1478.
Until the end of the 15th century, the doublet was usually worn under another layer of clothing such as a gown, mantle, or houppelande when in public. In the 16th century it was covered by the jerkin. Women started wearing doublets in the 16th century, [3] and these garments later evolved as the corset and stay. The doublet was thigh length ...
The chemise and stockings worn were meant to soak up any perspiration and protecting the outer clothing. Due to the many layers of dress, the women of the southern elite would take short naps to rest from wearing their large dress and escape the harsh southern heat and the constraining whalebone corsets.
In England from the 1630s, under the influence of literature and especially court masques, Anthony van Dyck and his followers created a fashion for having one's portrait painted in exotic, historical or pastoral dress, or in simplified contemporary fashion with various scarves, cloaks, mantles, and jewels added to evoke a classic or romantic mood, and also to prevent the portrait appearing ...
Clothing was layered and these layers were tightly bound to the body. [11] Around this time, the surcoat came into use. By the end of the 14th century, the gown had replaced all garment items aside from the surcoat. Basic garments now consisted of the smock, hose, kirtle, gown, belt, surcoat, girdle, cape, hood, and bonnet. [12]