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Like Mozart's, Beethoven's musical talent was recognized at a young age, [3] and these three piano sonatas give an early glimpse of the composer's abilities, as well as his boldness. Beethoven was writing in a form usually attempted by older, more mature composers, [4] as the sonata was a cornerstone of Classical piano literature. Since they ...
Artur Schnabel, 1906. Austrian pianist Artur Schnabel was the first pianist to record all of Ludwig van Beethoven's 32 piano sonatas. [1] The recordings were made in Abbey Road Studios in London on a C. Bechstein grand piano [2] from 1932 to 1935, [3] [4] [5] seven years after electrical recording was invented. [4]
Online score, posted by Indiana University School of Music. Each score page is a 200 kB gif image. For a public domain recording of this sonata visit Musopen; Piano Sonata No. 15 (Beethoven): Scores at the International Music Score Library Project; Recording by Paavali Jumppanen, piano from the Isabella Stewart Gardner Museum; Articles
The Piano Sonata No. 19 in G minor, Op. 49, No. 1, and Piano Sonata No. 20 in G major, Op. 49, No. 2, are short sonatas by Ludwig van Beethoven, published in 1805 (although the works were actually composed a decade earlier in early to mid 1797 [1]). Both works are approximately eight minutes in length, and are split into two movements.
Prior to the creation of the Hammerklavier sonata, the year between 1807 and 1812 were considered one of Beethoven's most productive period. During that time, he composed four symphonies (No. 5 through 8), three piano sonatas (opp. 78-81a), the Piano Concerto No. 5, "Emperor", the Mass in C major, and various chamber works.
The second movement is in ternary form (or sonata form without development [4]).It opens with a highly ornamented lyrical theme in 3 4 time in F major (mm. 1–16). This is followed by a more agitated, 5-measure transitional passage in D minor (mm. 17–22) accompanied by quiet parallel thirds, followed by a passage full of thirty-second notes in C major (mm. 23–31). [4]
The second movement is a variation to the ending of the popular patriots song "Rule, Britannia!" (which Beethoven wrote a set of variations for piano in 1803). According to Carl Czerny , Beethoven himself singled out this sonata and the " Appassionata " Sonata as favourites (once written, the " Hammerklavier " Sonata" would also become one of ...
At the time Beethoven composed the sonata, the lowest note on the piano was an F 1. This posed a challenge for a work in the key of E, as the bass end of the instrument fell one semitone short of the tonic. Rosen argued that a performer on a modern piano should make alterations to Beethoven's score to use the low E 1 that Beethoven could not. [15]