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Authors including Chomsky and Halle group and as sibilants. However, they do not have the grooved articulation and high frequencies of other sibilants, and most phoneticians [ 1 ] continue to group them together with bilabial [ ɸ ] , [ β ] and (inter)dental [ θ ] , [ ð ] as non-sibilant anterior fricatives.
Another special case of consonance is sibilance, the use of several sibilant sounds such as /s/ and /ʃ/. An example is the verse from Edgar Allan Poe's "The Raven": "And the silken sad uncertain rustling of each purple curtain." (This example also contains assonance around the "ur" sound.)
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or literal meaning to produce a rhetorical or intensified effect (emotionally, aesthetically, intellectually, etc.). [1] [2] In the distinction between literal and figurative language, figures of speech constitute the latter.
Authors must remain true to their calling, unimpeded by those who may wish to impose limits on their imagination, writes Queen Camilla
Uses of figurative language, or figures of speech, can take multiple forms, such as simile, metaphor, hyperbole, and many others. [10] Merriam-Webster's Encyclopedia of Literature says that figurative language can be classified in five categories: resemblance or relationship, emphasis or understatement, figures of sound, verbal games, and errors.
Sibilance is used most successfully in stanzas one and five. The writer uses sibilance to imitate the sound and atmosphere she describes. In stanza one, she is imitating the "silent sign," and in stanza five she is trying to create a serene atmosphere that is "soft" and "sweetly spoke" by using the soft "s" sound repeatedly.
Poetic Diction is a style of writing in poetry which encompasses vocabulary, phrasing, and grammatical usage. Along with syntax, poetic diction functions in the setting the tone, mood, and atmosphere of a poem to convey the poet's intention. Poetic devices shape a poem and its meanings.
Stephen King uses many epigraphs in his writing, usually to mark the beginning of another section in a novel. An unusual example is The Stand wherein he uses lyrics from certain songs to express the metaphor used in a particular part.