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Aesop and the Ferryman; The Ant and the Grasshopper; The Ape and the Fox; The Ass and his Masters; The Ass and the Pig; The Ass Carrying an Image; The Ass in the Lion's Skin
Aesop's Fables, or the Aesopica, is a collection of fables credited to Aesop, a slave and storyteller who lived in ancient Greece between 620 and 564 BCE. Of varied and unclear origins, the stories associated with his name have descended to modern times through a number of sources and continue to be reinterpreted in different verbal registers ...
An original fable by Laurentius Abstemius demonstrates the kinship between the story of "The Eagle and the Fox" and another by Aesop about The Eagle and the Beetle.In the Abstemius story, an eagle seizes some young rabbits to feed its young and tears them to pieces despite their mother's plea for mercy, thinking that an earth-bound creature could do it no harm.
The story of the feud between the eagle and the beetle is one of Aesop's Fables and often referred to in Classical times. [1] It is numbered 3 in the Perry Index [2] and the episode became proverbial. Although different in detail, it can be compared to the fable of The Eagle and the Fox. In both cases the eagle believes itself safe from ...
The Honest Woodcutter, also known as Mercury and the Woodman and The Golden Axe, is one of Aesop's Fables, numbered 173 in the Perry Index. It serves as a cautionary tale on the need for cultivating honesty, even at the price of self-interest. It is also classified as Aarne-Thompson 729: The Axe falls into the Stream. [2]
The folly of trying to keep up with the Joneses is the conclusion drawn by La Fontaine's Fables from the Phaedrus version of the tale, applying it to the artistocratic times in which La Fontaine lived ("The frog that wished to be as big as the ox", Fables I.3):
In addition there was an English-language version set by Bob Chilcott as the fourth in his Aesop's Fables for piano and choir (2008); [54] [55] and a purely musical interpretation for small orchestra by Matt Fernald as the first part of his musical thesis composition, performed under the title An Evening with Aesop in 2013. [56] [57]
A 19th-century illustration of La Fontaine's Fables by Jean Grandville. There is a Greek version of the fable but no early Latin version. For this reason it did not begin to appear in printed editions of Aesop's fables until the 16th century, one of the earliest being Bernard Salomon's Les Fables d'Esope Phrygien, mises en Ryme Francoise (1547 ...