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Charles Demuth, Aucassin and Nicolette, oil on canvas, 1921. Precisionism was a modernist art movement that emerged in the United States after World War I.Influenced by Cubism, Purism, and Futurism, Precisionist artists reduced subjects to their essential geometric shapes, eliminated detail, and often used planes of light to create a sense of crisp focus and suggest the sleekness and sheen of ...
Joining them was a team of internationally renowned artists specialising in 3D character models, clay-modelling, precision metalwork, pastel painting, and pencil drawings, plus computer-generated imagery; among them were Joan Ashworth, Ruth Lingford, Bedric Glaser, Jeff de Boer, and Jonathan Hodgson.
Ding Yi's enduring method of incorporating crosses into his work emerged in the late 1980s. He executed a series of painting experiments called Appearance of Crosses, in which the artist adopted the shapes of x and + as a recurring motif with the intention of combining painting and design into a single form of expression.
Salvador Domingo Felipe Jacinto Dalí i Domènech, Marquess of Dalí of Púbol [b] [a] gcYC (11 May 1904 – 23 January 1989), known as Salvador Dalí (/ ˈ d ɑː l i, d ɑː ˈ l iː / DAH-lee, dah-LEE; [2] Catalan: [səlβəˈðo ðəˈli]; Spanish: [salβaˈðoɾ ðaˈli]), [c] was a Spanish surrealist artist renowned for his technical skill, precise draftsmanship, and the striking and ...
Ruby Loftus Screwing a Breech-ring is a 1943 painting by the British artist Laura Knight depicting a young woman, Ruby Loftus, working at an industrial lathe cutting the screw of a breech-ring for a Bofors anti-aircraft gun. The painting was commissioned by the War Artists' Advisory Committee as part of the British war effort in the Second ...
His earlier paintings, up to 1900, show the influence of his architectural interests, as buildings are depicted with accurate but rather boring precision. Thereafter, his own romantic post-impressionist style begins to emerge, especially in his work from 1915 to 1945. His warm colours predominate with an abundance of violets, blues and ochres.
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Salt's painting Untitled (1967) was a pivotal work in this respect, being very closely based on Winogrand's photograph New York City (1959); both featuring a closely zoomed image of the inside of a car viewed from the outside. Despite the very high degree of similarity between the compositions, Salt's painting was still clearly an artistic ...