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The Adiyogi Shiva bust is a 34-metre tall (112 ft), 45-metre long (147 ft) and 25-metre wide (82 ft) steel bust of Shiva with Thirunamam at Coimbatore, Tamil Nadu.
According to the Shiva Purana, Shiva once appeared as a fiery column of light, or jyotirlinga, to establish his supremacy over Brahma and Vishnu. [5] The jyotirlinga is the supreme partless reality, out of which Shiva partly appears. It is believed that jyotirlinga shrines are places where Shiva appeared as a fiery column of light.
Mughal depictions of Shivaji were largely negative, referring to him simply as "Shiva" without the honorific "-ji". One Mughal writer in the early 1700s described Shivaji's death as kafir bi jahannum raft (lit. ' the infidel went to Hell '). [190] His chivalrous treatment of enemies and women has been praised by Mughal authors, including Khafi ...
Uma–Maheshvara, central India, probably late 1000s to 1100s AD, buff sandstone, Dallas Museum of Art. Uma–Maheshvara (Sanskrit: उमामहेश्वर, romanized: Umāmaheśvara) is a form of the divine couple, Shiva (Maheshvara) and Parvati (Uma), in Hindu iconography.
The union of Purusha (Shiva) and Prikriti (Shiva's energy, Shakti) generates the universe, an idea also manifested in the union of the Linga of Shiva and Yoni of Devi creating the cosmos. [57] [58] [59] The Mahabharata lauds this form as the source of creation. [46] Ardhanarishvara also suggests the element of Kama or Lust, which leads to ...
The deity Shiva is sometimes represented in his panchamukha aspect, each connoting one of his attributes: [11] [12] His upward face is called iśānam, and represents knowledge and nature. It is supposed to be depicted in a copper hue. His eastern face is called tatpuruṣam, and represents the organs of touch and action.
Gajasurasamhara (lit. "The Slayer of the elephant demon"), also Gajasamhara, Gajantaka and Gajaha (all three lit. "the Slayer of the elephant") [1] and Matangari ("The Enemy of the elephant"), [2] is a fierce aspect of the Hindu god Shiva as the Destroyer of the elephant demon, Gajasura.
Shiva is calm, comforting his terrified consort, embracing her with one or two arms. [8] Shiva wears a jata-mukuta (a headdress formed of piled, matted hair), while Parvati's hair is arranged in a bun. In an upper arm, Shiva holds a trishula (trident) and his lower right arm makes the abhayamudra (fear-not gesture). The couple may be seated on ...