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The album, like its predecessor Devils and Dust, has been released on DualDisc, in a CD/DVD double disc set, and as a set of two vinyl records.. For the DualDisc and CD/DVD sets, the full album is on the CD(-side), while the DVD(-side) side features a PCM Stereo version of the album and a short film about the making and recording of the album.
In April 2006, the album was released as We Shall Overcome: The Seeger Sessions (so titled as each of the album's thirteen songs had been previously recorded or performed by Pete Seeger). The subsequent Bruce Springsteen with The Seeger Sessions Band Tour took this musical approach even further, with a travelling group partly composed of ...
English: Joan Baez performs "We Shall Overcome" Feb 09 2010 at the White House in front of President Obama. this page indicates the work has been given a CC attribution 3 licence. Conversion from MP4 by Major Bloodnok
Original file (WebM audio/video file, VP8/Vorbis, length 3 min 24 s, 1,280 × 720 pixels, 3.95 Mbps overall, file size: 96.21 MB) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
Her recording of "We Shall Overcome" was made at Miles College in Birmingham, Alabama, on the same day of the mass arrest of Civil Rights demonstrators in May 1963. The jacket notes contain an untitled poem by Bob Dylan with the recurring theme "An' I walked my road an' sung my song", which makes reference to Baez and the relationship between ...
"I'll Overcome Some Day" was a hymn or gospel music composition by the Reverend Charles Albert Tindley of Philadelphia that was first published in 1901. [2] A noted minister of the Methodist Episcopal Church, Tindley was the author of approximately 50 gospel hymns, of which "We'll Understand It By and By" and "Stand By Me" are among the best known.
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We Shall Overcome is a 1963 album by Pete Seeger. It was recorded live at his concert at Carnegie Hall , New York City , on June 8, 1963, and was released by Columbia Records . The concert would later be described by Ed Vulliamy of The Observer as "a launch event for the entwining of the music and politics of the 1960s". [ 2 ]