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"Rock Around the Clock" is a rock and roll song in the 12-bar blues format written by Max C. Freedman and James E. Myers (the latter being under the pseudonym "Jimmy De Knight") in 1952. The best-known and most successful rendition was recorded by Bill Haley & His Comets in 1954 for Ame
The group's first session, on April 12, 1954, yielded "Rock Around the Clock", which would become Haley's biggest hit and one of the most important records in rock and roll history. Sales of "Rock Around the Clock" started slowly, since it was the B-side of the single, but it performed well enough, that a second Decca session was commissioned.
[4] [5] Though many claim the song "Rock Around the Clock," released in 1954 by Bill Haley & His Comets, was the first rock and roll single, it resembles "Move it On Over", as both feature the same twelve-bar blues arrangement with a melody starting with three repetitions of an ascending arpeggio of the tonic chord, which Williams had partially ...
Shake, Rattle and Roll is an early rock and roll compilation album issued by Decca Records (DL 5560) in 1955, and featuring music by Bill Haley & His Comets.The album, which was issued in a 10-inch format, consisted of recordings previously issued on singles in 1954 and 1955, including the title track, and "Rock Around the Clock", although at the time of this album's release in early 1955 ...
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The group was the first to record the hit song "Rock Around the Clock". The group comprised Italian-American singer Sonny Dae (born Paschall Salvatore Vennitti, May 24, 1928–February 1987), [1] pianist Hal Hogan, guitarist Art Buono, and Mark Bennett, bassist, and/or drummer. [2]
Rock Around the Clock was a major box-office success, and soon many more rock-and-roll musical films (notably the big-budget "A" picture The Girl Can't Help It) would be produced. Within a year, Elvis Presley (whose first film, 1956's Love Me Tender , was a Western, not a rock-and-roll film) would soon appear in the most popular films of the ...
The Blasters tried recording 4-11-44 twice, as a live album, but issues with record labels prevented a release. [6] They were without Dave Alvin; the lineup that recorded 4-11-44 had been playing together for a decade. [7]