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The song had a number of different titles before "Don't Cry for Me Argentina" was chosen as the final one. The song shares its melody with "Oh What a Circus" from the same show and lyrically consists of platitudes where Eva tries to win the favour of the people of Argentina. It was released in the United Kingdom on 12 November 1976 as the first ...
Songs named after the poem have been released by the Argentine singer/songwriter Juana Molina on her album Segundo and by the German band the Magic I.D. on their album till my breath gives out. In 2017, Gabriela Cabezón Cámara published the novel Las aventuras de la China Iron , which reclaims the story of China Iron, Martín Fierro's ...
"The Paris Song" by Jake Holmes "Paris Song" by Lee Hazlewood "The Paris Song" by Trevor Chance "Paris: the Song of a Great City" by Frederick Delius "Paris Soul Food" by Hal Singer "Paris sous les bombes" by Supreme NTM "Paris sous la pluie" by Samson Schmitt Quintet "Paris-Sport" by Monsieur Jules et son ensemble "Paris Stairs" by Duke Ellington
Also of great value are the songs performed by Lola Kiepja, known as "the last Selk'nam", compiled by Anne Chapman in two records produced by the Musée de l'Homme in Paris, under the title Selk'nam chants of Tierra del Fuego, Argentina (in Spanish: Cantos selk’nam de Tierra del Fuego, Argentina), some of which can be heard on the Internet. [18]
The "Argentine National Anthem" (Himno Nacional Argentino) was adopted as the sole official song of Argentina on 11 May 1813—three years after the May Revolution.Its lyrics were written by the Buenos Aires-born politician Vicente López y Planes and the music was composed by the Spanish musician Blas Parera.
In the postwar era, pop music in Argentina was significantly influenced by American and English musicians. During the 1950s and 1960s, the "la nueva ola" movement emerged, marking the rise of youth-oriented pop music in South America. Musicians often adapted popular English-language songs into Spanish, appealing to audiences across the country ...
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"Farewell Angelina" has remained a continuous part of Joan Baez' concert repertoire, being recorded twice for live albums during the 1980s. The song has also been recorded by the New Riders of the Purple Sage (on Oh, What a Mighty Time), John Mellencamp (on Rough Harvest), Tim O'Brien (See Nobody Sings Dylan Like Dylan, Vol. 39, masterfully collected by Jay Ess), Show of Hands, and Danu's When ...