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The "Tube Screamer" name was born when Tamura and Hoshino took an OD808 to Sam Ash Music in Manhattan, where Sammy Ash—the company founder's grandson—remarked that the pedal sounded like a "screaming tube amp," and noted that the Dunlop Cry Baby wah-wah pedal was so-named for sounding like a crying baby. As a result, the OD808 was renamed ...
The design of the early TS-808 Tube Screamer was nearly identical to the OD-1, but relied on symmetrical clipping to avoid Boss' patent on solid-state asymmetrical clipping, while adding a tone control. Multiple iterations of the Tube Screamer followed, most notably the TS9, which replaced the TS-808 in 1982. [53]
Numerous variations of the original RAT pedal are still being produced today; it has become one of best selling guitar effects boxes of all time, with some retailers placing it in their top-ten most-sold pedals. [2] The pedal has changed in appearance over the years, but its tone has remained largely the same.
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Notable examples of distortion and overdrive pedals include the Boss DS-1 Distortion, Ibanez Tube Screamer, Marshall ShredMaster, MXR Distortion +, and Pro Co RAT. A fuzz pedal, or fuzzbox, is a type of overdrive effects unit that clips a signal until it is nearly a squarewave, resulting in a heavily distorted or fuzzy sound.
The DS-1 was the first ever distortion guitar effect pedal manufactured by Boss An auditory example of the distortion effect with the clean signal shown first.. Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone.