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Georges Barboteu (1924–2006), Former professor at CNSM, member of the French French-horn school, horn instructor of many current French French hornists Hermann Baumann (1934–2023), former principal horn Philharmonisches Orchester Dortmund and Stuttgart Radio Symphony Orchestra , winner of the ARD International Music Competition in 1964 ...
The Danse Nuptiale (Wedding Dance) was originally composed as a work for chamber orchestra and soloists in 1961. It was published by Alphonse Leduc in 1962 and dedicated to Andre Boutard. The original instrumentation was for oboe, clarinet, bassoon, French horn, tuba, tympani, a battery of percussion, piano, and string quintet. The first ...
French Horn. Sonata for Horn and Piano, (1992) ... Soloist(s) and Orchestra. Triple Concerto for Three Trombones and Orchestra, (2013)
Richard Bissill is a French horn player, composer and arranger, and Professor at the Guildhall School of Music and Drama in London. [1]Born in Leicestershire, he was a member of the Leicestershire Schools Symphony Orchestra and he then studied horn and piano at the Royal Academy of Music before joining the London Symphony Orchestra in 1981.
From 1980 to 2017, Myers was the principal horn of the New York Philharmonic and frequently appeared as soloist with the orchestra. [1] Before arriving at the New York Philharmonic, he was principal horn of the Atlantic Symphony Orchestra in Halifax, Nova Scotia, from 1971 to 1974, third horn of the Pittsburgh Symphony Orchestra from 1974 to 1977, and principal horn of the Minnesota Orchestra ...
Concerto F minor for horn and orchestra; Concerto F major "Denominato Il trionfo dell' Innocenza" for horn and orchestra; Gran Concerto for horn and orchestra; Hector Berlioz. Le jeune pâtre breton, Op. 13, No. 4 for tenor, horn and piano; Johannes Brahms. Trio in E-flat, Op. 40 for piano, violin, and horn (mutopia listing) Emmanuel Chabrier
In March 1950, he gave the French premiere of Richard Strauss' Second Horn Concerto with André Cluytens leading the Paris Conservatoire Orchestra. Three contemporary composers dedicated works to him, and Thévet gave the first performance of concertos by Henri Tomasi (1955), [ 8 ] Pierre-Max Dubois (1957), and Émile Passani (1966).
He resigned from the orchestra in 1968 to pursue a career as a soloist and conductor. For the next thirty years, he carved out a career exclusively as soloist – one of the few horn virtuosos to have done so [citation needed], rather than combining occasional concert performances with an orchestral position or a teaching post.