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Friedrich Cerha, Malinconia for Baritone and Trombone (2007) Ikuma Dan, Three Letters for Trombone and Harp (1999) Iancu Dumitrescu, Nimbus I-III for Trombone(s), Percussion and Tape (1984) Peter Maxwell Davies, Aloha Hunter for Trombone and Clarinet (1966) David Del Tredici, Dynamic Duo for Bass Trombone and Violin (2013)
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Music for bass clef instruments, such as the cello, bassoon or trombone, use tenor clef for the high notes rather than the treble clef. Alto clef is used for the alto trombone, and for the tenor trombone parts in Russian repertoire. Bass trombone and tuba use the bass clef only. [2]
The note E 1 (or the lowest E on a standard 88-key piano keyboard) is the lowest attainable note on a 9-foot (2.7 m) B ♭ tenor trombone, requiring a full 7 feet 4 inches (2.24 m) of tubing. On trombones without an F attachment, there is a gap between B ♭ 1 (the fundamental in first position) and E 2 (the first harmonic in seventh position).
The duration (note length or note value) is indicated by the form of the note-head or with the addition of a note-stem plus beams or flags. A stemless hollow oval is a whole note or semibreve, a hollow rectangle or stemless hollow oval with one or two vertical lines on both sides is a double whole note or breve.
Notes below B ♭ are called for only rarely as they "become increasingly difficult to produce and insecure in quality" with A ♭ 1 or G1 being the bottom limit for most trombonists. [ 1 ] Pedal tones are called for occasionally in advanced brass repertoire, particularly in that of the trombone and especially the bass trombone .
Chromatic scale drawn as a circle The diatonic scale notes (above) and the non-scale chromatic notes (below) [2] The twelve notes of the octave—all the black and white keys in one octave on the piano—form the chromatic scale. The tones of the chromatic scale (unlike those of the major or minor scale) are all the same distance apart, one ...
Colors for Trombone is a concerto for solo trombone and concert band. [1] It was composed in 1998 by Belgian composer Bert Appermont in Ravels. It was written for Belgian trombonist Ben Haemhouts. The piece is in four movements, each based on a color, and characterizes a typical musical quality: