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Phrygian dominant scale (Ahavah Rabbah written) In music, the Phrygian dominant scale (or the Phrygian ♮3 scale) is the actual fifth mode of the harmonic minor scale, the fifth being the dominant. [1] It is also called the harmonic dominant, altered Phrygian scale, dominant flat 2 flat 6 (in jazz), or Freygish scale (also spelled Fraigish [2]).
The Phrygian dominant is also known as the Spanish gypsy scale, because it resembles the scales found in flamenco and also the Berber rhythms; [4] it is the fifth mode of the harmonic minor scale. Flamenco music uses the Phrygian scale together with a modified scale from the Arab maqām Ḥijāzī [5] [6] (like the Phrygian dominant but with a ...
Phrygian dominant scale: Phrygian dominant on C. ... A free Android app with scales & building chords for the scales; A Study Of Scales This page was last ...
[citation needed] From that, we can list the scales and the triad qualities and the seventh chord qualities in each scale as degrees of Dorian mode and Aeolian dominant scale (Dorian ♯3 ♭6 scale) and Neapolitan major scale (Dorian ♭2 ♯7 scale) and double harmonic scale (Dorian ♭2 ♯3 ♭6 ♯7 scale) and the two types of Dorian ...
In music, the dominant scale is: Mixolydian mode; Dominant scale may also refer to: Phrygian dominant scale; Lydian dominant scale; altered dominant scale (a jazz ...
Phrygian dominant scale Play ⓘ, also known as persian scale. Phrygian dominant or dominant harmonic minor I-♭ II-III-IV-V-♭ VI-♭ VII This differs from the Phrygian in having a major third. It may also be considered built on the dominant of the harmonic minor scale. Neapolitan minor differs from the Phrygian in having a major seventh.
The C Phrygian dominant scale. Date: 31 August 2007: Source: Created by bdesham with LilyPond. Author: Benjamin D. Esham : Permission (Reusing this file) As a courtesy (but not a requirement), please e-mail me or leave a note on my talk page if you use this image outside of Wikipedia. Thanks!
Dominant seventh chord normally paired with mixolydian scale, [5] the fifth mode of the major scale. The scales commonly used today consist of the seven modes of the diatonic scale, the seven modes of the melodic minor scale, the diminished scales, the whole-tone scale, and pentatonic and bebop scales. [7]