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The Temple of Athena Nike Painting of the Temple of Athena Nike, by Carl Werner, 1877. The Temple of Athena Nike (Greek: Ναός Αθηνάς Νίκης, Naós Athinás Níkis) is a temple on the Acropolis of Athens, dedicated to the goddesses Athena and Nike. Built around 420 BC, the temple is the earliest fully Ionic temple on the Acropolis.
Nike typically appears without wings in Greek sculpture when she is being represented as an attribute of another deity, such as Athena. The Athena Nike statue within the Temple of Athena Nike on the Athenian Acropolis depicts the Greek goddess wingless [6] and seated with a
The statue, in white Parian marble, depicts a winged woman, the goddess of Victory (Niké), alighting on the bow of a warship. The Nike is dressed in a long tunic (χιτών, chitôn) in a very fine fabric, with a folded flap and belted under the chest. It was attached to the shoulders by two thin straps (the restoration is not accurate).
Northeast view of the Temple of Athena Nike, an amphiprostyle temple. Plan of the temple at Jebel Khalid. In classical architecture, amphiprostyle (from the Greek ἀμφί (amphi), on both sides, and πρόστυλος (prostylos), a portico) denotes an ancient temple with a portico both at the front and the rear, [1] where the columns on the narrow sides are not between antae. [2]
The Nike of Megara (Greek: Νίκη των Μεγάρων) is a large ancient Greek marble sculpture of the late fourth or early third century BC. The Hellenistic statue depicts Nike , the winged Greek goddess of victory; its arms, wings and head are not preserved.
In Athens, the statue of Nike is portrayed without wings and is called Nike Apteron (Wingless Victory). Nike's wings were removed from the statue so she would not fly away, as the Athenians believed doing so would indicate her permanent stay in the city. [14] A sculpture of Nike at Ephesus is said to contain the Swoosh in the flowing dress, but ...
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The Nike of Paionios is an ancient statue of the Greek goddess of victory, Nike, made by sculptor Paionios (Paeonius of Mende) between 425 BC and 420 BC. Made of Parian marble, the medium gives the statue a translucent and pure white look to it. Found in pieces, the statue was restored from many fragments but is lacking face, neck, forearms ...