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G.I. Samurai (戦国自衛隊, Sengoku jieitai, Sengoku Self Defense Force) aka Time Slip, is a 1979 Japanese science fiction/action film focusing on the adventures of a modern-day Japan Ground Self-Defense Force (JGSDF) and Japan Maritime Self-Defense Force (JMSDF) team that accidentally travels in time to the Warring States period (戦国時代, Sengoku jidai).
The Last Bullet is a 1995 Australian film about a Japanese soldier and Australian soldier who fight in World War Two. [1] The film is set in Borneo, towards the end of World War II. It follows Stanley Brennan (Jason Donovan), a nineteen-year old recruit and the only survivor of his patrol when they are killed by a Japanese sniper. [2]
As the main group emerge, a Japanese sniper dispatches Taff and Mac. Although Whittaker is cut off, Johnstone tells Smudge they must return to Mitchem. As they flee, Smudge is also killed. Mitchem is shocked to see the superficially injured Johnstone back alone but is shot by a sniper. As the Japanese close in, Johnstone implores Bamforth to ...
The Japanese attempt to find Ahn, but a skilled contract-killer named Hawaii Pistol decides, on the spur of the moment, to pretend that Ahn is his wife, allowing her to elude the soldiers. Kim Koo questions Yem's loyalty, and tells two subordinates, Myung-woo and Se-gwang, to follow him around, and to kill him if he is a spy.
This list of World War II films (1950–1989) contains fictional feature films or miniseries released since 1950 which feature events of World War II in the narrative.. The entries on this list are war films or miniseries that are concerned with World War II (or the Sino-Japanese War) and include events which feature as a part of the war effort.
John Wick: Chapter 4. Keanu Reeves returned in a major way for John Wick: Chapter 4, fighting against one of Hong Kong cinema’s finest actors. Ip Man and Shang-Chi’s Donnie Yen took the role ...
The second act follows the formation of the group to their mountain training camps in the southern Japanese Alps. It emphasizes the dogmatic (and eventually hypocritical) bullying of the group by Mori and Nagata, with 12 members being killed. The third act shows the splitting up of the group after two members run off.
The Nikkatsu Company conceived Take Aim at the Police Van as a borderless action film, a studio subgenre with internationalized characters and setting. Contract director Seijun Suzuki had previously worked mainly on pop song films, a youth subgenre in which the films were built around an already popular song, and yakuza films with an occasional film noir bent. [2]