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Over the veena's evolution and modifications, more particular names were used to help distinguish the instruments that followed. The word veena in India was a term originally used to generally denote "stringed instrument", and included many variations that would be either plucked, bowed or struck for sound. [1] [2]
The musician stops the resonating strings, when so desired, with the fingers of the free hand. In modern times the veena has been generally replaced with the sitar in North Indian performances. [1] [3] The South Indian Saraswati veena, used in Carnatic classical music, is a lute. It is a long-necked, pear-shaped lute, but instead of the lower ...
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Dakshinamurti is portrayed as a powerful form brimming with ever-flowing bliss and supreme joy while being in the yogic state of abstract meditation. Variations of this iconic representation include Veenadhara Dakshinamurti (holding a Veena) and Rishabharudha Dakshinamurti (mounted on a Rishabha - the bull).
The far-right image shows many details missing from depictions of the eka-tantri vina: the longer length of the instrument, thick tube, the large gourd at the top, the playing style over the shoulder, the stylized mouth at the bottom of the instrument, a bridge on the rectangle just above the mouth.
A_Mohan_Veena,_string_musical_instruments_of_India.jpg (427 × 288 pixels, file size: 45 KB, MIME type: image/jpeg) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
(Thomas Barwick/Digital Vision/Getty Images) Some of the fastest-growing jobs for 2025 barely existed at the turn of the century, according to a new analysis from LinkedIn.
The Sagar veena (Urdu: ساگر وینا) is a plucked string instrument used in Punjab and developed in 1970 by prominent Pakistani lawyer Raza Kazim. It has evolved from Vichitra veena in both structure and sound. [1] Similar to the Carnatic Gottuvadhyam (Chitra Vina) and Vichitra veena, it has no frets and is played with a slide.